Spatial-temporal figure-ground relations. Finite spaces in contemporary theatre and performance

Authors

DOI:

https://doi.org/10.5965/14145731023820200046

Keywords:

Stage as dispositive, Relational spatial configurations, Spatial mediation

Abstract

Taking a critique of mere architectural conceptions of theatrical spaces as its starting point, this paper discusses different ways of undermining the proscenium stage as what can be called a dispositif or apparatus of perception. It discusses up to which point the perturbation, negation and disaffirmation of the italian stage, carried out through different spatial conception by the performances analysed in this paper, can serve to exemplify Agamben’s afirmation that the profanation of a (political) dispositif highlights the point of ungovernability that exists at the beginning and the end of any political praxis.

Downloads

Download data is not yet available.

Author Biographies

Nikolaus Müller-Schöll

Professor de Ciências Teatrais na Johann-Wolfgang-Goethe Universität de Frankfurt/Main, e Coordenador dos Cursos de Mestrado Dramaturgismo e Comparative Dramaturgy and Performance Research. Entre suas últimas publicações encontram-se as coletâneas Theatre as Critique (2019) e Das Denken der Bühne (2019). Atualmente, é presidente da Sociedade Alemã de Estudos Teatrais.

Stephan Arnulf Baumgärtel, Universidade do Estado de Santa Catarina (UDESC)

Professor Doutor do Programa de Pós-Graduação em Teatro (PPGT) do Centro de Artes, Universidade do Estado de Santa Catarina (UDESC). 

Talita Corrêa, Universidade do Estado de Santa Catarina (UDESC)

olsista de Iniciação Científica (CI) no projeto “Encenação enquanto Instalação” do prof. Dr. Stephan Arnulf Baumgärtel. Atriz, dançarina, pesquisadora e arte-educadora. Graduanda em Teatro – Centro de Artes/UDESC.

References

AGAMBEN, Giorgio ”O que é um dispositivo?” In: AGAMBEN, Giorgio. O que é o contemporâneo e outros ensaios. Chapecó: Argos, 2009.

BENJAMIN, Walter. ”O que é o teatro épico?” In: BENJAMIN, Walter. Obras Escolhidas, vol. 1. (Magia e técnica, arte e politica), São Paulo: Editora Brasiliense, 1985. p. 89.

BRANDSTETTER, Gabriele/WIENS, Birgit (Hg.), Theater ohne Fluchtpunkt. Das Erbe Adolphe Appias: Szenographie und Choreographie im zeitgenössischen Theater, Berlin, 2010, S. 9.

DERRIDA, Jacques. “A Diferença”, In: DERRIDA, Jacques. Margens da Filosofia. Campinas: Papirus, 1991.

DÜNNE, Jörg/GÜNZEL, Stephan. Raumtheorie. Grundlagentexte aus Philosophie und Kulturwissenschaften, Frankfurt/M.: Suhrkamp, 2006.

GÜNZEL, Stephan (ed.), Topologie. Zur Raumbeschreibung in den Kultur- und Medienwissenschaften, Bielefeld: Transcript, 2007.

GÜNZEL, Stephan. (ed.) Raumwissenschaften. Frankfurt/M.: Suhrkamp, 2009.

HAMACHER, Werner. “Amphora“, In: SCHWEEGER, Elisabeth (ed.) Wanda Golonka – Tanz Ensemble Modell. Berlin: Theater der Zeit, 2010; p. 29-34.

HAß, Ulrike. Das Drama des Sehens. Auge, Blick und Bühnenform, München: Fink, 2005.

LACOUE-LABARTHE, Philippe. Die Fiktion des Politischen. Heidegger, die Kunst und die Politik. Stuttgart: Edition Patricia Schwarz, 1990.

LIBESKIND, Daniel. “Das Ende vom Raum – ein Gespräch mit Gerhard Ahrens“, in: Hamburger Hefte, Nr. 4, raumgestalten, Hamburg, 2001, p. 42-51.

MÜLLER, Heiner. “Robert Wilson/Freunde“, in: MÜLLER, HEINER. Krieg ohne Schlacht, Köln: Kiepenheuer & Witsch, 1992, p. 327-336.

MÜLLER, Heiner Philoktet. in: MÜLLER, Heiner. Mauser, Berlin: Rotbuch, 1988, p. 7-42.

MÜLLER-SCHÖLL, Nikolaus. Das Theater des konstruktiven Defaitismus. Frankfurt/Basel: Stroemfeld, 2002.

MÜNZ, Rudolf. Theatralität und Theater. Zur Historiographie von Theatralitätsgefügen, Berlin, Schwarzkopf & Schwarzkopf. 1998, S. 82-103.

SOJA, Edward. Postmodern Geographies. The Reassertion of Space in Critical Social Theory. London & New York: Routledge, 1989.

STEINWEG, Reiner Brechts Modell der Lehrstücke. Zeugnisse, Diskussionen, Erfahrungen, Frankfurt/M., 1976

WALDENFELS, Bernhard. „Topographie der Lebenswelt“, in: GÜNZEL (ed.), Topologie. Zur Raumbeschreibung in den Kultur- und Medienwissenschaften, Bielefeld: Transcript, 2007, p.69 – 84.

WEIGEL, Sigrid. „Zum ‚topographical turn‘ – Kartographie, Topographie und Raumkonzepte in den Kulturwissenschaften“, in: KulturPoetik 2, 2 (2002), p. 151-165.

WILSON, Bob. “Die Architektur des theatralischen Raumes“. Entrevista com Tom Stromberg. In: Theaterschrift 2. The Written Space 1992, p. 102-107.

Downloads

Published

2020-09-24

How to Cite

MÜLLER-SCHÖLL, Nikolaus; BAUMGÄRTEL, Stephan Arnulf; CORRÊA, Talita. Spatial-temporal figure-ground relations. Finite spaces in contemporary theatre and performance. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 2, n. 38, p. 1–27, 2020. DOI: 10.5965/14145731023820200046. Disponível em: https://revistas.udesc.br/index.php/urdimento/article/view/18225. Acesso em: 30 jun. 2024.

Issue

Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana

Section

Translations

License

Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright Statement

The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
 http://www.revistas.udesc.br/index.php/urdimento

This work is licensed under a Creative Commons Attribution 4.0 International License.