Estética minimalista: transmitiendo una imagen a través del estilo de la ropa
DOI:
https://doi.org/10.5965/1982615x17422024e0008Palabras clave:
Minimalismo, Estética minimalista, Consumo de modaResumen
El minimalismo es un tema en auge en la literatura de consumo, especialmente cuando se trata de moda y estética minimalista. A pesar de esto, existen pocos estudios dedicados a discutir qué reacciones puede producir la estética minimalista sobre las percepciones de los demás sobre los minimalistas como individuos. Con este ensayo, llenamos este vacío discutiendo qué imagen transmite la estética minimalista sobre las personas que adoptan un estilo de ropa minimalista. Discutimos, por tanto, cómo los minimalistas pueden ser percibidos como personas más competentes y menos cálidas a los ojos de los demás, además de ser capaces de transmitir una imagen de racionalidad en la toma de decisiones más que de sentimientos. Finalmente, este ensayo abre la posibilidad de una amplia gama de estudios futuros sobre el minimalismo en el consumo.
Descargas
Citas
AAKER, J.; VOHS, K. D.; MOGILNER, Cassie. Nonprofits are seen as warm and for-profits as competent: Firm stereotypes matter. Journal of Consumer Research, v. 37, n. 2, p. 224-237, 2010.
ADAVAL, R.; SALUJA, G.; JIANG, Y. Seeing and thinking in pictures: A review of visual information processing. Consumer Psychology Review, v. 2, n. 1, p. 50-69, 2019.
BANISTER, E. N.; HOGG, M. K. Consumers and their negative selves, and the implications for fashion marketing. In: HINES, T.; BRUCE, M. (Eds.), Fashion Marketing: Contemporary Issues. Oxford: Elsevier Ltd, 2007.
BELLEZZA, Silvia. Distance and alternative signals of status: A unifying framework. Journal of Consumer Research, v. 50, n. 2, p. 322-342, 2023.
BRANDÃO, Amélia Maria Pinto; BARBEDO, Hugo Eduardo Magalhães. Going (in) conspicuous: antecedents and moderators of luxury consumption. Journal of Marketing Analytics, v. 11, n. 2, p. 202-218, 2023.
BYTYÇI, S. Influence of Colors as a Key Element in Consumer Marketing. Expert Journal of Marketing, v. 8, n. 1, 2020.
CARRIER, A. et al. The primacy of agency over competence in status perception. Social Psychology, 2014.
CARVALHO, L. V. R. Design e Emoção: O papel do designer no consumo de produtos de moda. Universidade do Minho. Escola de Engenharia. Portugal, 2013.
CASHMORE, P. (October 24, 2011). How to live, and die, like Steve Jobs. Available at: <https://edition.cnn.com/2011/10/24/tech/innovation/steve-jobs-cashmore/index.html#:~:text=Steve%2C%20despite%20his%20financial%20success,and%20he%20famously%20embraced%20minimalism.> Accessed: 28 de jun. de 2023.
CHANG, H. H.; HUNG, I. W. Mirror, mirror on the retail wall: Self-focused attention promotes reliance on feelings in consumer decisions. Journal of Marketing Research, v. 55, n. 4, p. 586-599, 2018.
COOK, G. Are You Using the Terms ‘Minimalist’ and ‘Maximalist’ Correctly? The Wall Street Journal, 2019. Available at: <https://www.wsj.com/articles/are-you-using-the-terms-minimalist-and-maximalist-correctly-11568301910> Accessed: 28 de jun. de 2023.
DE NARDO, M. et al. Social signals and sustainability: Ambiguity about motivations can affect status perceptions of efficiency and curtailment behaviors. Environment Systems and Decisions, v. 37, p. 184-197, 2017.
DERWANZ, H.; STREBINGER, V. Learning like a Minimalist—Learning from a Minimalist. Consumers as Disseminators for Sustainable Clothes Usage. Journal of Sustainability Research, v. 3, n. 4, 2021.
DOPIERAŁA, R. Minimalism–a new mode of consumption? Przegląd Socjologiczny, v. 66, n. 4, p. 67-83, 2017.
ECKMANN, L.; LANDWEHR, J. Minimalism in Material Possessions: Theory and Measurement. ACR North American Advances, 2020, v. 48, p. 308-309.
EICHER, J. B.; ROACH, M. E. The Visible Self: Perspectives on Dress, 1973.
FISKE, S. T. Stereotype content: Warmth and competence endure. Current directions in psychological science, v. 27, n. 2, p. 67-73, 2018.
FONTOURA, A. M.; ZACAR, C. R. Hasegawa. Quando o design mexe com a gente. In: abc Design. Ed n. 25. Curitiba, 2008.
GRANDEY, A. A. et al. Is “service with a smile” enough? Authenticity of positive displays during service encounters. Organizational behavior and human decision processes, v. 96, n. 1, p. 38-55, 2005.
GRONOW, J. The sociology of taste. London and New York: Routledge, 1997.
GUY, A.; BANIM, M. Personal collections: Women’s clothing use and identity. Journal of Gender Studies, v. 9, n. 3, p. 313-327, 2000.
HAGEN, L. et al. The Meaning of Minimalism: What Consumers See in Minimalist Aesthetics (And What They Don’T). ACR North American Advances, 2021.
HALKIAS, G.; DIAMANTOPOULOS, A. Universal dimensions of individuals’ perception: Revisiting the operationalization of warmth and competence with a mixed-method approach. International Journal of Research in Marketing, v. 37, n. 4, p. 714-736, 2020.
HOKKANEN, S. Fashion brands and consumption in postmodern consumer culture: the construction of self and social identities. 2017. Thesis (Master in Textile Management) - The Swedish School of Textiles, University of Borås, 2014.
JAIN, M. Effect of Minimalistic Clothing Style on Self-Esteem among Young Adults. International Journal of Research Publication and Reviews, v.3, n. 12, p. pp 1039-1043, 2022.
JIANG, Q.; CHEN, L.; ZHANG, J. Perception and preference analysis of fashion colors: Solid color shirts. Sustainability, v. 11, n. 8, p. 2405, 2019.
JUDD, C. M. et al. Fundamental dimensions of social judgment: understanding the relations between judgments of competence and warmth. Journal of personality and social psychology, v. 89, n. 6, p. 899, 2005.
KAISER, S. B. The Psychology of Clothing. Symbolic Appearances in Context. 1990.
KANG, J.; MARTINEZ, C. M. J.; JOHNSON, C. Minimalism as a sustainable lifestyle: Its behavioral representations and contributions to emotional well-being. Sustainable Production and Consumption, v. 27, p. 802-813, 2021.
KERVYN, N.; FISKE, S. T.; MALONE, C. Brands as intentional agents framework: How perceived intentions and ability can map brand perception. Journal of Consumer Psychology, v. 22, n. 2, p. 166-176, 2012.
KIM, D.; HYUN, H.; PARK, J. The effect of interior color on customers’ aesthetic perception, emotion, and behavior in the luxury service. Journal of Retailing and Consumer Services, v. 57, p. 102252, 2020.
KIM, D.; HYUN, H.; PARK, J. The effect of interior color on customers’ aesthetic perception, emotion, and behavior in the luxury service. Journal of Retailing and Consumer Services, v. 57, p. 102252, 2020.
KIM, Y.; SULLIVAN, P. Emotional branding speaks to consumers’ heart: the case of fashion brands. Fashion and Textiles, v. 6, n. 1, p. 1-16, 2019.
KRISHNA, A. An integrative review of sensory marketing: Engaging the senses to affect perception, judgment and behavior. Journal of consumer psychology, v. 22, n. 3, p. 332-351, 2012.
LEE, Y. Distinction by Indistinction: Luxury, Stealth, Minimalist Fashion. Luxury, v. 6, n. 3, p. 203-225, 2021.
LLOYD, K.; PENNINGTON, W. Towards a theory of minimalism and wellbeing. International Journal of Applied Positive Psychology, v. 5, p. 121-136, 2020.
MINASIAN, M.; GUDKOVA, N. Fashion Development: From 1990s Minimalism To Sustainable Fashion. Grail of Science, n. 14-15, p. 668-672, 2022.
OLIVEIRA DE MENDONCA, G.; COELHO ROCHA, A. R.; BOGÉA DA COSTA TAYT‐SON, D. The minimalist process: An interpretivist study. Journal of Consumer Behaviour, v. 20, n. 5, p. 1040-1050, 2021.
ORTH, U. R.; MALKEWITZ, K. Holistic package design and consumer brand impressions. Journal of marketing, v. 72, n. 3, p. 64-81, 2008.
PANGARKAR, A. et al. Minimalism in consumption: A typology and brand engagement strategies. Journal of Business Research, v. 127, p. 167-178, 2021.
PAZDA, A. D.; THORSTENSON, C. A. Color intensity increases perceived extraversion and openness for zero-acquaintance judgments. Personality and Individual Differences, v. 147, p. 118-127, 2019.
SALVI, N. C.; MERINO, E. A. D.; FIALHO, F. A. P. Ergonomia e design de emoção no desenvolvimento do vestuário. ModaPalavra e-periódico, n. 17, p. 286-298, 2016.
SASAKI, F. Goodbye, things: on minimalist living. Penguin UK, 2017.
SIMMEL, G. The Philosophy of Fashion. In: Simmel on culture: Selected writings. Sage, 1997.
TOWNSEND, C. The price of beauty: Differential effects of design elements with and without cost implications in nonprofit donor solicitations. Journal of Consumer Research, v. 44, n. 4, p. 794-815, 2017.
UGGLA, Y. Taking back control: Minimalism as a reaction to high speed and overload in contemporary society. Sociologisk forskning, v. 56, n. 3-4, p. 233-252, 2019.
VLADIMIROVA, K. Consumption corridors in fashion: deliberations on upper consumption limits in minimalist fashion challenges. Sustainability: Science, Practice and Policy, v. 17, n. 1, p. 102-116, 2021.
WILSON, A. V.; BELLEZZA, Silvia. Consumer minimalism. Journal of Consumer Research, v. 48, n. 5, p. 796-816, 2022.
XIE, Z. Minimalism as a key trend of fashion industry in recent years. In: Актуальні проблеми сучасного дизайну. Київський національний університет технологій та дизайну, 2021.
ZAJONC, R. B. Feeling and thinking: Preferences need no inferences. American psychologist, v. 35, n. 2, p. 151, 1980.
ZALEWSKA, J.; COBEL-TOKARSKA, M. Rationalization of pleasure and emotions: The analysis of the blogs of Polish minimalists. Polish Sociological Review, v. 196, n. 4, p. 495-412, 2016.
Publicado
Cómo citar
Número
Sección
Licencia
Derechos de autor 2024 Érica Sobreira, Danielle Mantovani
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.
Al enviar un artículo para su publicación en ModaPalavra e-periodico, el (los) autor (es) aceptan los siguientes términos:
- Los autores mantienen los derechos de autor y otorgan a la revista el derecho a la primera publicación, con el trabajo licenciado simultáneamente bajo Creative Commons Attribution-NonCommercial 4.0 International, que permite compartir el trabajo con reconocimiento de autoría y publicación inicial en esta revista, sin pago;
- Los autores pueden utilizar los mismos resultados en otras publicaciones después de la primera publicación, siempre que indiquen ModaPalavra e-periodical como medio de publicación original;
- Los autores pueden asumir contratos adicionales por separado solo después de la publicación inicial en ModaPalavra e-periodical, siempre que indiquen ModaPalavra e-periodic como el medio de publicación original;
- Se permite y anima a los autores a publicar y distribuir su trabajo en línea (por ejemplo, en repositorios institucionales o en su página personal), solo después del proceso editorial y la primera publicación, siempre que indiquen el ModaPalavra periódico electrónico como medio de publicación original;
- Para indicar ModaPalavra e-periodic como medio de publicación original, el autor debe seguir el texto modelo: "Este artículo fue publicado originalmente por ModaPalavra e-periodic, bajo la licencia CC BY NC, en su volumen [insertar volumen], número [ insertar número] en el año de [insertar año], y se puede acceder en: http://www.revistas.udesc.br/index.php/modapalavra/ ";
- Las opiniones expresadas en los artículos son responsabilidad exclusiva de los autores y no reflejan necesariamente la opinión de la revista. La publicación de artículos, fotografías y dibujos fue previamente autorizada por los responsables o sus representantes para su publicación en ModaPalavra e-periodic.