The wearable technologies of fashion and the relationship between human and nonhuman
DOI:
https://doi.org/10.5965/1982615x10192017117Keywords:
technology, wearable, fashionAbstract
The article discusses the affinity of wearable technologies of fashion in relation to the current technological context in which the non-human activity becomes increasingly active. The conception of the internet of things and the development of ubiquitous,pervasive and sentient communication expose a favorable view to wearable technologies. Authors such as Bruno Latour, Giselle Beiguelman and André Lemos point to a symmetrical treatment of modern dualities: physical and virtual, man and machine, nature andculture, in short, human and nonhuman. This is a current of thought that suggests the combination of dualistic poles, recognizing the hybridization process.
Downloads
References
ADIDAS miCoach. Disponível em: <http://micoach.adidas.com/br>. Acesso em: 23 jul. 2016.
AVELAR, Suzana. Moda: globalização e novas tecnologias. São Paulo: Estação das Letras e Cores, 2009.
BEIGUELMAN, Giselle. Admirável mundo cíbrido. In: ALZAMORA, Geaneet al. (Org.). Cultura em fluxo: novas mediações em rede. Belo Horizonte: PUC Minas, 2004, p. 264-281.
______. O fim do virtual. seLecT, v. 1, p. 38-47, 2011. Disponível em: https://www.academia.edu/1634076/O_Fim_do_Virtual. Acesso em: 20 dezembro 2014.
______. Arte pós-virtual: a criação e agenciamento no tempo da Internet das Coisas e da próxima natureza. Cyber-Arte-Cultura: a trama das redes, Espírito Santo, 2013.DONATI, Luisa Paraguai. Computadores vestíveis: convivências de diferentes espacialidades.Conexão: comunicação e cultura, Caxias do Sul, v. 3, n. 6, p. 93-102, 2004.
______. O computador como veste-interface: (re)configurando os espaços de atuação. 28/01/2005. 198 f. Tese (Doutorado em Multimeios) -Instituto de Artes, Universidade Estadual deCampinas, Campinas, 2005.
______. Dispositivos móveis: espaços híbridos de comunicação. In: XXX Congresso Brasileiro de Ciências da Comunicação, Santos, 2007.
______. Interfaces multisensoriais: espacialidades híbridas do corpoespaço. Revista FAMECOS, Porto Alegre, n. 37, p. 54-60, 2008.
DONATI, Luisa Paraguai; PRADO, Gilberto. “Wearcomp”: dispositivos móveis de presença mediada. In: LEÃO, Lucia (Org.). Derivas: cartografias do ciberespaço. São Paulo: Annablume; Senac, 2004.
HANLON, Mike. Adidas and Polar introduce the world’s first completely integrated training system. GizMag, ago. 2005. Disponível em: <http://www.gizmag.com/go/4402/>. Acesso em: 13 jan. 2015.
LATOUR, Bruno. Jamais fomos modernos: ensaio de antropologia simétrica. São Paulo: Editora 34, 2013.
LEMOS, André. Cibercultura e mobilidade: a era da conexão. In: LEÃO, Lucia (Org.). Derivas: cartografias do ciberespaço. São Paulo: Annablume; Senac, 2004.
______. A comunicação das coisas: teoria ator-rede e cibercultura. São Paulo: Annablume, 2013.
MCLUHAN, Marshall. Os meios de comunicação como extensões do homem. São Paulo: Cultrix, 2007.
NIKE FuelBand. Disponível em: <http://www.nike.com/us/en_us/c/nikeplus-fuelband>. Acesso em: 23 jul. 2016.
PRIMO, Alex. O que há de social nas mídias sociais? Reflexões a partir da Teoria Ator-Rede. Contemporanea: informação e cultura, v. 10, n. 3, p. 618-641, 2012.
SANTAELLA, Lucia. A ecologia pluralista das mídias. Revista FAMECOS, Porto Alegre, n. 37, p.20-24, 2008.
SEYMOUR, Sabine. Fashionable technology: the intersection of design, fashion, science and technology. Wien: Springer, 2008.
SIBILIA, Paula. O homem pós-orgânico: a alquimia dos corpos e das almas à luz das tecnologias digitais. Rio de Janeiro: Contraponto, 2015.
WEARABLE Experiments. Disponível em: <http://wearableexperiments.com>. Acesso em:
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2016 Patrícia Sayuri Saga Kitamura Marini
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
When submitting an article for publication in ModaPalavra e-periodico, the author (s) agree (s) with the following terms:
- Authors maintain the copyright in their manuscripts and grant the journal the right of first publication, with work simultaneously licensed under the Creative Commons Attribution-NonCommercial 4.0 International, which allows sharing the work with the acknowledgment of authorship and the initial publication in the journal without payment ;
- Authors may use the same results in other publications after the first publication, provided that they indicate ModaPalavra e-journal as the original publication medium;
- Authors are authorized to take additional contracts, separately, only after the original publication in ModaPalavra e-journal, provided they indicate ModaPalavra e-journal as the original publication medium;
- Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page), only after the editorial process and the first publication, provided they indicate ModaPalavra e-journal as the original publication medium;
- To indicate ModaPalavra e-journal as the original publication medium, authors should use the following text template: "This article was originally published by ModaPalavra e-periodical, under a CC BY NC license, in its volume [insert volume] number [insert number] in the year of [insert year], and can be accessed at: http://www.revistas.udesc.br/index.php/modapalavra/ ";
- The opinions expressed in the articles are the author’s sole responsibility, not necessarily reflecting the journal’s opinion. The publication of any material that is owned and held in copyright by a third party, including – but not limited to - articles, photos or drawings was previously authorized by their representatives to be published in ModaPalavra e-journal.