Crossing Orlan's mirror

Authors

DOI:

https://doi.org/10.5965/198431782012024e0051

Keywords:

art, Orlan, body, mirror, identity

Abstract

This article brings a reflection on the performance The Carnal Art, Orlan's manifesto, a self-portrait work focusing on understanding the processes of reconfiguring the status of the body through the approximation of art with technology and aesthetics body deconstruction. The body as corporeality is the subject's subjective existence and through this body it is possible to perceive the world and relate to others. For this reflective proposal, we approach the representations that explore and problematize the relationships of the female body transformed into an object by art, in which unnatural elements are incorporated, such as prostheses, plastic surgeries, image manipulation by computer programs, among others. In this approach, Orlan's artistic trajectory stands out, whose works are analyzed here from the understanding of the body as a consequence of social conflicts and the place of questions regarding the discourses on sexuality, gender, subjectivity and identity.

Downloads

Download data is not yet available.

References

ARAÚJO, Aline Cristina de. Os frascos nas gavetas de Vênus: um estudo das representações significantes da beleza feminina no século XX. Niterói. 2003.

BAUDELAIRE, C. Sobre a Modernidade: o Pintor da vida Moderna. Rio de Janeiro: Paz e Terra, 1996.

COSTA, Jurandir Freire. O vestígio e a Aura: corpo e consumismo na moral do espetáculo. Olympio, 1993.

COHEN, Renato. Performance como linguagem. 2.ed. São Paulo: Perspectiva, 2004.

FERREIRA, Glória; COTRIM, Cecília. Escritos de artistas: anos 60 e 70. Rio de Janeiro: Jorge Zahar Editor, 2006.

FERREIRA, J., HAMILIN, C. Mulheres Negros e outros monstros: um ensaio sobre os corpos não civilizados. Estudos Feministas, Florianópolis, 2010. set/dez.8 (3) 811-836.

FREIRE, Cristina. Arte Conceitual. Rio de Janeiro: Zahar, 2006.

FOUCAULT, M. Microfísica do Poder. Rio de Janeiro: Edições Graal, 1979.

GUINOT, Olga e GUARDIOLA, Juan G. Orlam 1964-2001. Artium; Salamanca: Ediciones Universidad de Salamanca, 2002.

GLUSBERG, Jorge. A arte da performance. São Paulo: Perspectiva, 2003.

GOLDBERG, Roselee. A arte da performance. São Paulo: Martins Fontes, 2006. (1 ed. 1979, Londres).

GONÇALVES, E. D. Orlan do outro lado do espelho. Biblioteca on line de Ciencias da Comunicação. São Paulo, 2009. Disponível em: < http://www.bocc.ubi.pt/pag/Duarte-Eunice-Orlan.html>. Acesso em: 2 Jan. 2018.

JEUDY, Henry-Pierre. O corpo como objeto de arte. Trad. Tereza Lourenço-São Paulo: Estação Liberdade, 2002.

MEDEIROS, M. Beatriz. MONTEIRO, Marianna e MATSUMOTO K. Roberta. (Org.). Tempo e Performance. 1a. ed. Brasília, DF: Editora da Pós-graduação em Arte da Universidade de Brasília, 2007.

MERLEAU-PONTY.O Olho e o Espírito. Pref. de Claude Lefort. [Lisboa] : Vega, 1992.

_________________.O Olho e o Espírito. São Paulo: Cosac & Naify, 2004.

_________________. O visível e o Invisível. São Paulo: Perspectiva. São Paulo, 1971.

_________________. Fenomenologia da Percepção. São Paulo: Martins Fontes, 2006.

PROST, Antoine e VICENT, G. História da vida Privada. São Paulo: Companhia das Letras .2001.

TUCHERMAN, Ieda. Breve história do corpo e dos seus monstros. Edições Vega, Lisboa. 1999.

Downloads

Published

2024-01-01

How to Cite

PIAZZA, Rosana Dalla. Crossing Orlan’s mirror. Journal of Education, Arts, and Inclusion, Florianópolis, v. 20, n. 1, p. e0051, 2024. DOI: 10.5965/198431782012024e0051. Disponível em: https://revistas.udesc.br/index.php/arteinclusao/article/view/19786. Acesso em: 21 nov. 2024.

Issue

Vol. 20 No. 1 (2024): Revista Educação, Artes e Inclusão - Publicação contínua

Section

Artigos em fluxo contínuo

License

Copyright (c) 2024 Rosana Dalla Piazza

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Copyright Statement

The Educação, Artes e Inclusão is a journal that follows the Free Access Policy. The articles published by the journal are free of charge, intended for educational and non-commercial applications. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the Educação, Artes e Inclusão Journal or the Educação, Artes e Inclusão Research Group.

Authors who publish in this journal agree to the following terms:

(A) Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution License which allows the sharing of the work with acknowledgment of authorship and initial publication in this magazine.

(B) Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this magazine.

(C) This journal provides public access to all of its content, as this allows for greater visibility and scope of published articles and reviews. For more information on this approach, visit the Public Knowledge Project.

This journal is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This license allows others to remix, adapt and create from your work for non-commercial purposes, and although new work must give you due credit and cannot be used for business purposes, users do not have to license such derivative works under the same terms.