Fragiles territoires de l’humain

Authors

  • Didier Plassard Université Paul Valéry – Montpellier (França)

DOI:

https://doi.org/10.5965/2595034701122014028

Abstract

Based on the observation of Bernard Dort and the work of Didier-Georges Gabily, Tadeusz Kantor and Valère Novarina this article discusses the specificity of theater production as critical action capable of providing alternatives to the models produced and promoted by the entertainment industry. To do so, it analyzes phenomenon that locate the stage as a space of emergence, transformation and disappearance of the actor’s body. Upon investigating the exploration of different registers of presence and
embodiment of fictions, it also discusses the materialization of the dual incarnation of the actor and the encounter between the actor and his simulacrum as a potential crisis
that is capable of deconstructing the media representations of man.


Keywords: Contemporary theater. Presences. Simulacrums.

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Author Biography

Didier Plassard, Université Paul Valéry – Montpellier (França)

Doutor em Estudos Teatrais e professor na Université Paul Valéry – Montpellier III, França. Trabalha no Départament des Arts du Spetacle. Pesquisa teatro moderno e contemporâneo, as relações do teatro com as outras artes, teatro de marionetes e novas tecnologias. Autor de Les Mais de Lumière. Anthologie des Écrits sur L’art de la Marionnette (1996) e L’acteur en Effigie (1992). Atualmente, é editor da Revista Puck – le Marionnette et les autres arts, do Instituto Internacional da Marionete, de Charleville-Mézières – França.

Published

2018-03-22 — Updated on 2020-09-01

Versions

How to Cite

PLASSARD, Didier. Fragiles territoires de l’humain. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 12, p. 028–035, 2020. DOI: 10.5965/2595034701122014028. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/1059652595034701122014028. Acesso em: 22 dec. 2024.

Issue

Section

Artigos fora do Dossier Temático