O autor, o bonequeiro e o bezerro de duas cabeças

Authors

  • Didier Plassard Université Paul Valéry – Montpellier III (França)

DOI:

https://doi.org/10.5965/2595034701082011070

Abstract

O texto discute mudanças efetuadas na produção dramatúrgica do teatro de marionetes nos últimos anos, notadamente na França. Destaca as relações entre espetáculos de teatro de marionetes contemporâneo e dramaturgia, evidenciando que a crise da representação problematiza e enriquece as diferentes concepções de dramaturgia, o processo de criação de espetáculos, e a ideia de teatro de marionetes como manifestação artística.

Palavras-chave: Teatro de marionetes contemporâneo; dramaturgia; representação; marionetista.


Abstract: This text discusses changes in the dramatic production of puppet theatre in recent years, notably in France. It highlights the relations between contemporary puppet theatre and dramaturgy, revealing that the crisis of representation questions and enriches various concepts of dramaturgy, the process of creation of spectacles and the idea of puppet theatre as artistic manifestation.

Key-words: Contemporary puppet theatre; dramaturgy; performing; puppetry.

Downloads

Download data is not yet available.

Author Biography

Didier Plassard, Université Paul Valéry – Montpellier III (França)

Pesquisador e Professor na Université Paul Valéry – Montpellier III, França. Trabalha no Départament des Arts du Spetacle. Autor de Les Mais de Lumière. Anthologie des Écrits sur L'art de la Marionnette (1996) e L'acteur en Effigie (1992).

Downloads

Published

2018-04-03

How to Cite

PLASSARD, Didier. O autor, o bonequeiro e o bezerro de duas cabeças. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 08, p. 070–091, 2018. DOI: 10.5965/2595034701082011070. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/1059652595034701082011070. Acesso em: 22 dec. 2024.

Issue

Vol. 1 No. 08 (2011): Dramaturgias no Teatro de Formas Animadas

Section

Artigos fora do Dossier Temático

License

The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.

The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:

“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"

Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.

This journal uses Creative Commons Attribution Licence– (CC BY 4.0).