Fashion confronting unrelated sectors: the ideal model of manufacturing symbiosis between industrial systems

Autores

  • Maria Antonietta Sbordone Università degli Studi della Campania Luigi Vanvitelli http://orcid.org/0000-0002-3780-6142
  • Barbara Pizzicato LUIGI VANVITELLI
  • Gianni Montagna Universidade de Lisboa
  • Sonia Seixas Universidade de Lisboa

DOI:

https://doi.org/10.5965/1982615x15352022079

Palavras-chave:

sistema da moda, sistemas industriais, novas competências

Resumo

This study aims to reflect on a possible symbiosis between the fashion system and unrelated companies focused on reducing textile waste. Recent developments in the fashion system, in terms of the organizational network, highlight the importance of collaboration, or vice versa of competition enhancement mechanisms. The highly innovative and creative skills and tasks concentrate much of the value in the creation phase, characteristic of emerging sectors such as creative ones. The methodology will be carried out through a review of the reference literature, with a critical, constructive, and real analysis on strategies for the construction of this symbiosis. It is expected to contribute to a reflection on the development of collaboration and cooperation skills in an interdisciplinary, or even transdisciplinary approach, for the training and preparation of fashion design professionals, requiring a greater commitment from Academia in the creation of iinteractions and interrelationships with still very different disciplinary sectors.

Downloads

Não há dados estatísticos.

Biografia do Autor

Maria Antonietta Sbordone, Università degli Studi della Campania Luigi Vanvitelli

 

Associate Professor at the University of Campania Luigi Vanvitelli, she deals with Design and Design for Fashion and Textiles. Since the 1990s she has been carrying out critical-theoretical, research and teaching activities. From 2001 to 2006 she held positions as Designated Member of the "European and Foreign Commission" of the National Council of Architects, Planners, Landscape Architects and Conservationists and for the Architects Council of Europe/Conseil Européen des Architects (ACE-CAE) and at the Council of Europe for the "Landscape Convention", (Conseil d'Europe, Strasbourg). The dissemination of results thanks to an intense activity of workshops, talks and thematic focus teams has favored collaboration with research and training institutions supranational, among which there are: Center Scientifique et Technique de la Construction (CSTC); Architects Council of Europe / Conseil Européen des Architects (ACE-CAE); ECCREDI - European Construction Research Network (E-CORE); Conseil de l’Europe - Direction de la Culture et du Patrimoine Culturel et Naturel, Division de l'aménagement du Territoire et du paysage, Strasbourg, France; Valencia Summit, America's Cup, Valencia, Spain. Since 2014 she has participated in: LENS Italia; National Design Commission for the Person, ADI Milan; responsible for the Design and Fashion sectors of the CUAM University Foundation; International Dimension Commission, Italian Design Society (SID). She collaborates with the International Textile Research Group of the Universidad de São Paulo (USP).

Membership of Academia.edu Share: http://unina2.academia.edu/mariaantoniettasbordone

 

 

 

 

 

 

 

 

Barbara Pizzicato, LUIGI VANVITELLI

PhD student in Environment, Design and Innovation at Università degli Studi della Campania Luigi Vanvitelli, with a Master's Degree in Design for Innovation. Her fields of interest and investigation range from various branches of the discipline, from Product to Fashion Design, with a strong focus on Communication, in both theoretical and practical aspects.

Referências

ARMSTRONG, C. M. J. et al. Educating for Sustainable Fashion: Using Clothing Acquisition Abstinence to Explore Sustainable Consumption and Life Beyond Growth. Journal of Consumer Policy, v. 39, n. 4, p. 417–439, 2016.

ARMSTRONG, C. M.; LEHEW, M. L. A. Sustainable Apparel Product Development: In Search of a New Dominant Social Paradigm for the Field using Sustainable Approaches. Fashion Practice, v. 3, n. 1, p. 29–62, 2011.

ASHTON, W. Understanding the organization of industrial ecosystems: A social networkapproach. Journal of Industrial Ecology, 2008, 12.1: 34-51.

BALLIE, J.; SMITH, P.; MCHATTIE, L.-S. Re-Mantle and Make : the role of maker spaces in empowering a new wave of circular thinking for textile designers Re-Mantle and Make : the role of maker spaces in empowering a new wave of circular thinking for textile designers. Centre for Circular Design. Circular Transitions., p. 46–56, 2016.3

BALLIE, J.; SMITH, P.; MCHATTIE, L.-S. Re-Mantle and Make : the role of maker spaces in empowering a new wave of circular thinking for textile designers Re-Mantle and Make : the role of maker spaces in empowering a new wave of circular thinking for textile designers. Centre for Circular Design. Circular Transitions., p. 46–56, 2016.

CHICK, A.; MICKLETHWAITE, P. Design for Sustainable Change: How Design and Designers Can Drive the Sustainability Agenda. Lausanne, Switzerland: AVA Publishing, 2011.

DOHERTY, B.; DAVIES, I. A.; TRANCHELL, S. Where now for fair trade? Business Histoty, v. 55, n. 2, p. 161–189, 2013.

ERTEKIN, Z. O.; ATIK, D. Sustainable Markets: Motivating Factors, Barriers, and Remedies for Mobilization of Slow Fashion. Journal of Macromarketing, v. 15, n. 1, p. 53–69, 2015.

FLETCHER, K. Sustainable Fashion & Textiles. Design Journeys. London, UK: Earthscan, 2008.

FLETCHER, K.; GROSE, L. Fashion & Sustainability. Design for Change. London, UK: Laurence King Publishing Ltd, 2012.

FLETCHER, K.; WILLIAMS, D. Fashion Education in Sustainability in Practice. Research Journal of Textile and Apparel, v. 17, n. 2, p. 81–88, 2013.

FONTANA, I. M.; HEEMANN, A.; GOMES, M. G. F. Design Colaborativo: Fatores Críticos para o Sucesso do Co-design. 4o Congresso Sul Americano de Design de Interação. Anais...São Paulo, Brasil: 2012.

FUAD-LUKE, A. Design Activism: Beautiful Strangeness for a Sustainable World. London, UK: Earthscan, 2009.

GALATEANU, E.; AVASILCAI, S. Collaboration versus Coopetition. 15th Romanian Textiles and Leather Conference –CORTEP. Anais. 2015.

HILLER, K.; KOZAR, J. M. Sustainability knowledge and behaviors of apparel andtextile undergraduates. International Journal of Sustainability in Higher Education, v. 13, n. 4, p. 394–407, 2012.

ITO, J. Design and Science. Journal of Design and Science. 2016.

ISSBERNER, L.-R. Em direção a uma nova abordagem da inovação: coordenadaspara o debate. In: Bases conceituais em pesquisa, desenvolvimento e inovação: Implicações para políticas no Brasil. [s.l.] Centro de Gestão e Estudos Estratégicos, 2010. p. 11–32.

KIM, H.; CHOO, H. J.; YOON, N. The motivational drivers of fast fashion avoidance. Journal of Fashion Marketing and Management, v. 17, n. 2, p. 243–260, 2013.

KORHONEN, Jouni, et al. Circular economy as an essentially contested concept. Journal of cleaner production, 175: 544-552, 2018.

LARMER, J.; MERGENDOLLER, J.; BOSS, S. Setting the standard for project-based learning: A proven approach to rigorous classroom instruction. Alexandria: ASCD, 2015.

MAZZONI, F. Circular economy and eco-innovation in Italian industrial clusters. Best practices from Prato textile cluster. Insights into Regional Development, 2(3), 661-676., 2020.

MCDONAGH, P.; PROTHERO, A. Unpacking corporate sustainability: sustainable communication, waste and the 3Rs in network society. In: EKSTROM, K. M. (Ed.). Waste Management and Sustainable Consumption: Reflections on consumer waste. [s.l.] Routledge, 2015. p. 166–183.

OTTO, B. K. About: Sustainability. Design Council, 2005.

PARKER, L.; DICKSON, M. A. (EDS.). Sustainable Fashion: A Handbook for Educators. [s.l.] Labour Behind the Label, 2009.

RODE, H.; MICHELSEN, G. Levels of indicator development for education for sustainable development. Environmental Education Research, v. 14, n. 1, p. 19–33, 2008.

PATNAIK, A.; MVUBU, M; MUNIYASAMY, S.; BOTHA, A.; ANANDJIWALA, R. D. Thermal and sound insulation materialsfrom waste wool and recycled polyester fibers and their biodegradation studies. Energy and Buildings, 92: 161-169, 2015.

RUPPERT-STROESCU, M. et al. Creativity and Sustainable Fashion Apparel Consumption: The Fashion Detox. Clothing and Textiles Research Journal, v. 33, n. 3, p. 167–182, 2015.

SHERBURNE, A. Achieving Sustainable Textiles: a Designer’s Perspective. In: BLACKBURN, R. S. (Ed.). Sustainable Textiles. Life Cycle and Environmental Impact. UK: Woodhead Publishing Limited, 2009. p. 3–32.

TODESCHINI, B. V. et al. Innovative and sustainable business models in the fashion industry: Entrepreneurial drivers, opportunities, and challenges. Business Horizons, v. 60, n. 6, p. 759–770, 2017.

UNESCO. Contributing to a More Sustainable Future: Quality Education, Life Skills and Education for Sustainable Development. Paris, France: UNESCO, 2005.

UNESCO. Education for Sustainable Development Goals LearningObjectives Paris, France: United Nations Educational, Scientific and Cultural Organization, 2017.

VEZZOLI, C.; MANZINI, E. Design for Environmental Sustainability. London, UK: Springer-Verlag London Limited, 2008.

VISSER, M.; GATTOL, V.; HELM, R. VAN DER. Communicating Sustainable Shoes to Mainstream Consumers: The Impact of Advertisement Design on Buying Intention. Sustainability, v. 7, n. 7, p. 8420–8436, 2015.

Downloads

Publicado

2022-01-02

Como Citar

SBORDONE, M. A. .; PIZZICATO, B.; MONTAGNA, G.; SEIXAS, S. Fashion confronting unrelated sectors: the ideal model of manufacturing symbiosis between industrial systems. Modapalavra e-periódico, Florianópolis, v. 15, n. 35, p. 79-96, 2022. DOI: 10.5965/1982615x15352022079. Disponível em: https://revistas.udesc.br/index.php/modapalavra/article/view/20465. Acesso em: 28 maio. 2022.

Edição

v. 15 n. 35 (2022): Fronteiras têxteis: materiais antes dos produtos

Seção

Dossiê

Licença

Copyright (c) 2022 Maria Antonietta Sbordone, Barbara PIZZICATO, Gianni Montagna, Sonia Seixas

Creative Commons License

Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial 4.0 International License.

Ao submeter um artigo para publicação no ModaPalavra e-periódico, o(s) autor(es) concorda(m) com os seguintes termos:

 

  1. Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Creative Commons Atribuição-NãoComercial 4.0 Internacional, que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista, sem pagamento;
  2. Os autores podem utilizar os mesmos resultados em outra publicações após a primeira publicação, desde que indiquem o ModaPalavra e-periódico como o meio de publicação original;
  3. Autores têm autorização para assumir contratos adicionais separadamente somente após a publicacão inicial no ModaPalavra e-periódico, desde que indiquem o ModaPalavra e-periódico como o meio de publicação original;
  4. Autores têm permissão e são estimulados a publicar e distribuir seu trabalho on-line (ex.: em repositórios institucionais ou na sua página pessoal), somente após o processo editorial e primeira publicação, desde que indiquem o ModaPalavra e-periódico como o meio de publicação original;
  5. Para indicar o ModaPalavra e-periódico como o meio de publicação original, o autor deve seguir texto modelo: "Este artigo foi publicado originalmente pelo ModaPalavra e-periódico, sob a licença CC BY NC, em seu volume [inserir volume], número [inserir número] no ano de [inserir ano], e pode ser acessado em: http://www.revistas.udesc.br/index.php/modapalavra/";
  6. As opiniões expressas nos artigos são de inteira responsabilidade dos autores, não refletindo necessariamente a opinião da revista. A publicação de artigos, fotos e desenhos foi autorizada previamente pelos responsáveis ou seus representantes para publicação no ModaPalavra e-periódico.