Fontainville Abbey: William Dunlap’s forgotten Gothic play, the first American playwright
DOI:
https://doi.org/10.5965/1414573102552025e0213InKeywords:
William Dunlap, Fontainville Abbey, gothic, dramaturgy, phantasmagoriaAbstract
Fontainville Abbey (1794), by William Dunlap, inspired by Ann Radcliffe's Romance of the Forest (1791), is a play that has been relegated to oblivion. Dunlap is considered an outstanding historian, as well as the first American playwright and the first Gothic writer in the country. Forgotten by his peers, Dunlap was also forgotten by the academy. The aim of this article is to show how Dunlap's melodramatic dramaturgy and its dialogue with American literature’s seminal texts serve as a receptacle for memory and how this memory, in this case, the memory of the history of American melodramatic (Gothic?) theater, is transformed into phantasmagoria.
Downloads
References
BOADEN, James. Fontainville Forest, a Play in Five Acts. London: Hookham and Carpenter, 1794. Available: https://dn720408.ca.archive.org/0/items/bim_eighteenth-century_fontainville-forest-a-p_boaden-james_1794_0/bim_eighteenth-century_fontainville-forest-a-p_boaden-james_1794_0.pdf. Access: 5 May 2025.
BOWMAN, Mary Rives. “Dunlap and the "Theatrical Register" of the "New-York Magazine”. Studies in Philology, Vol. 24, No. 3, p. 413-425, 1927. Access: 3 June 2025.
BRADFORD, William. “Of Plymouth Plantation”. In: The Norton Anthology of American Literature. Vol. A. New York: W. W. Norton & Company, 2007.
BROCKDEN BROWN, Charles. “Somnambulism: A Fragment”. Available: https://storyoftheweek.loa.org/2016/05/somnambulism-fragment.html. Access: 04 June 2025.
BROOKS, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Modes of Excess. New haven: Yale University Press, 1995.
CANARY, Robert H. “William Dunlap and the Search for an American Audience”. Midcontinent American Studies Journal. Vol. 4, n. 1, 1963. Access: 12 May 2015.
CARLSON, Marvin. The Haunted Stage: The Theater as Memory Machine. Michigan: The University of Michigan Press, 2003.
CIANCONI, Vanessa. As bruxas como desculpa. Rio de Janeiro: Editora Multifoco, 2014.
CIANCONI, Vanessa. “Quem foram as bruxas de Salém?” In: HUTTON, Ronald. Grimório das bruxas. Trad. de Fernanda Lizardo. Rio de Janeiro: Darkside Books, 2021.
CRÈVECOUER, Michel-Guillaume J. “What is an American?”. Available: https://americainclass.org/sources/makingrevolution/independence/text6/crevecoeuramerican.pdf. Access: 22 May 2025.
DUNLAP, William. “Fontainville Abbey”. In: The English and American Stage. Vol. XXII. New York: David Longworth, 1807.
DUNLAP, William. “Preface”. In: The English and American Stage. Vol. XXII. New York: David Longworth, 1809.
EDWARDS, Jonathan. “Sinners in the Hands of an Angry God.” In: The Norton Anthology of American Literature. Vol. A. New York: W. W. Norton & Company, 2007.
EVANS, Bertrand. Gothic Drama from Walpole to Shelley. Berkeley: University of California Press, 1947.
FISHER, Benjamin & ARGETSINGER, Gerald S. “William Dunlap”. Available: https://www.ebsco.com/research-starters/history/william-dunlap. Access: 19 May 2025.
FREUD, Sigmund. O infamiliar [Das Unheimlich]. Trans. by Ernani Chaves e Pedro H. Tavares. Belo Horizonte: Autêntica, 2021.
MCCONACHIE, Bruce. “Theaters for Knowledge Through Feeling, 1700-1900”. In: ZARRILLI, Phillip B. et al. Theater Histories: an Introduction. Oxon: Routledge, 2010.
MILLER, Tice L. “Introduction”. In: DUNLAP, William. A History of the American Theatre from Its Origins to 1832. Chicago: University of Illinois Press, 2005.
MORAMARCO, Fred. “The Early Drama Criticism of William Dunlap”. American Literature, Vol. 40, No. 1, p. 9-14, 1968. Access: 3 June 2025.
NASH, Roderick. Wilderness and the American Mind. New Haven: Yale University Press, 1982.
RADCLIFFE, Ann. “On the Supernatural in Poetry”. Available: https://resources.saylor.org/wwwresources/archived/site/wp-content/uploads/2011/01/On-the-Supernatural-in-Poetry.pdf . Access: 4 June 2025.
RADCLIFFE, Ann. Romance of the Forest. Oxford: Oxford University Press, 2007.
RICHARDS, Jeffrey H. (org). Early American Drama. London: Penguin Books, 1997.
THOMASSEAU, Jean-Marie. Le Mélodrame: Que se-jais? Paris: Presses Universitaires de France, 1984.
THOMASSEAU, Jean-Marie. O Melodrama. Trans. by Claudia Braga and Jacqueline Penjon. São Paulo: Perspectiva, 2012.
WINTHROP, John. “A Model of Christian Charity”. In: The Norton Anthology of American Literature. Vol. A. New York: W. W. Norton & Company, 2007.
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Urdimento: Revista de Estudos em Artes Cênicas

This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright Statement
The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
http://www.revistas.udesc.br/index.php/urdimento
This work is licensed under a Creative Commons Attribution 4.0 International License.