Vol. 2 No. 55 (2025): Drama: 30 anos da abordagem no Brasil | Acervos Ex-cêntricos: as materialidades diversas da documentação nas Artes Cênicas

View Vol. 2 No. 55 (2025): Drama: 30 anos da abordagem no Brasil | Acervos Ex-cêntricos: as materialidades diversas da documentação nas Artes Cênicas

DOI: https://doi.org/10.5965/1414573102552025

Published: 2025-08-31

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Editorial de Dossiês Temáticos

Editorial - Drama: 30 anos da abordagem no Brasil

Wellington Menegaz, Diego de Medeiros Pereira

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Editorial - Acervos ex-cêntricos: As materialidades diversas da documentação nas Artes Cênicas

Esther Marinho Santana, Robin Driver, Phelippe Celestino

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Homenagens

A tribute to Tadashi Endo (1947-2025)

José Rafael Madureira

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Dossiê Temático: Drama 30 anos da abordagem no Brasil

Drama in education: possible pathways

Wellington Menegaz

1-18
Experimentum Cyborg: Investigating the school in a Drama process in Higher Education

Túlio Fernandes Silveira, Diego de Medeiros Pereira

1-27
Estranhas criaturas: Drama in teacher education through a gaze at childhoods

Luiz Eduardo Gasperin

1-26
Dramas and dilemmas of the effeminate queer teacher: Subversions of gender, race, and ancestrality in the school

Fernando Augusto do Nascimento

1-21
Process Drama and Educational Technologies: creative potential for training teachers and children

Flávia Janiaski Vale, Thacio Fagundes Vissicchio

1-24
Drama with deaf people in a remote environment: the teaching material Catálogo de Drama

Douglas Vicente Leopold, Marcia Berselli

1-25
Estímulo compuesto y pertenencia social: ficción, identidad y construcción de vínculos

Taylon Padilha Nizer, Robson Rosseto

1-25
Teacher-in-Role: Contributions to teaching children in Early Childhood Education

Mateus Junior Fazzioni, Rafael Matiuda Spinelli

1-25
The Boutique of the Master Perfumer: Drama and its accessibility for blind and low vision individual

Lucas de Almeida Pinheiro

1-32

Dossiê Temático: Acervos Ex-cêntricos: as materialidades diversas da documentação nas Artes Cênicas

Excavations of Memory: examining a theatrical contract at the Court of Pedro II (1852-1853)

Andrea Carvalho Stark

1-28
Duets with the future: An Invitation to Participate in Lume Teatro’s Body Archives

Luciana Mizutani

1-28
Traces of Light, Marks of Craft: foundations for the analysis of stage lighting documentation

Berilo Luigi Deiró Nosella, Fabiana Siqueira Fontana

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Theater, Music and Memory in the Teatrosamba do Caixote

José Batista (Zebba) Dal Farra Martins, Maria Adelaide Pontes, Claudia Pacheco Simões

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Two decades of Fomento ao Teatro for the city of São Paulo: the project as relevant materiality

Mariana Vaz de Camargo

1-26
Implementation of a sound research center for the performing arts: Arquivos Sonoros de Teatro project

Ana Sara Cunha Lara, Miguel Antar, Rafaella Uhiara

1-23
To write the History of Theater: between oral history, personal archives, and documentation centers

juliana Ribeiro wolkmer

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Archive as Record and Proposition: creative processes in scenic dance in Acre

Valeska Alvim, Felipe Barbosa

1-24
Espiral: motion capturing dances to create a digital library of movements

Fellipe Santos Resende, Mônica Fagundes Dantas, Verônica Maria Prokopp de Oliveira

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Continuous flow

Some political-ideological notes on Teatro Oficina and its theatrical aesthetic

Rodrigo Morais Leite

1-25
From action to scene: a creative path in the Odin Teatret tradition

Marilyn Clara Nunes

1-25
Blood Drops, Red Words: VestAndPage’s blood writing in their performances

Andrea Pagnes

1-23
Blood Drops Red Words: Considering VestAndPage’s blood writing in performance

Andrea Pagnes

1-22
Is there freedom in writing behind bars? Theatrical practices and the construction of exits

Caroline Vetori de Souza, Vicente Concílio

1-18
Performance of Embodied Fragments - Fight, Flight, Freeze

Brenda Urbina

1-26
Disability as scenic materiality: assistive technology and Its poetic possibilities

José Flávio Gonçalves da Fonseca

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Tramaturgy of Knowledge: an expanded methodology in the Performing Arts

Mariana Fernandes, Djavan Antério

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Dealing with the (im)possible: the pedagogical residency in arts during the covid-19 pandemic

Ricardo Carvalho de Figueiredo

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University Extension and the training of theater graduates: divergences and confluences

Sidmar Silveira Gomes

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Between the player and the spectator: ludic and performative dimensions in theatre education

Luvel García Leyva

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“Encounters with Bodies that Fled”: A Performative Action of Shelter and Refuge

Ian Calvet Marynower

1-26
Bodily states in children's performances: basic education and Contexts of Social Precarity

Luciana Maria Rodrigues Gresta, Gilberto Icle

1-28
Fontainville Abbey: William Dunlap’s forgotten Gothic play, the first American playwright

Vanessa Cianconi

1-23
Fontainville Abbey: William Dunlap’s forgotten Gothic play, the first American playwright

Vanessa Cianconi

1-21
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Interviews

The Seeds of Peking Opera: interview with the National Peking Opera Company

Esther Marinho Santana, Cecilia Mello

1-18
Style, genealogy and performative tradition: voices of legong in Bali

Igor de Almeida Amanajás

1-25
Archetypal dialogues: goddesses as a source of inspiration for stage creations

Luciana Aires Mesquita, Maria Brígida de Miranda

1-24

Review

Revue theater dissected: a dialogue between France and Brazil

Sofia Fransolin Pires de Almeida

1-10
Extra! Extra! A burlette by Artur Azevedo and Eduardo Garrido just published!

Daniela de Castro Lima, Roger Ferreira Xavier

1-10

Ensaio Fotografico de Espetáculos

Sala de Aula em Cena! Mostra Skholé de Artes Cênicas

Heloise Baurich Vidor, Túlio Fernandes Silveira, Júlia Fernandes Lacerda

1-31

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