Cartographic aspects of the theater performances Odisseia 116 and BR3
DOI:
https://doi.org/10.5965/1414573103422021e0205Keywords:
Travel, Dramaturgy, CartographyAbstract
This article is an analysis of the writing process of the dramaturgy Odisseia 116 based on a six-day trip by bus between Rio de Janeiro and Ceará. Dramaturgy is structured on a triad: autobiographical characteristics; the possibility of interviewing people and photographing traveling landscapes and the Homeric Odyssey, the inspiring work of this writing. A cartography emerges as a methodology from the trip and consolidates itself in dramaturgy. Dialogue with interviews given by Antônio Araújo and Bernardo Carvalho about the BR3 show. In the final considerations, I point to three possible cartographies: the travel cartography, the dramaturgy cartography and the rehearsal room cartography.
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References
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Filme:
Viajo porque preciso volto porque te amo. Direção: Karim Ainouz e Marcelo Gomes. Produção: João Vieira Jr. e Daniela Capelato. Duração: 75 min, 2009.
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