A true marriage of opposites

Authors

DOI:

https://doi.org/10.5965/2595034702222020232

Abstract

Questions of censorship and self-censorship are confronted through Julia
Varley’s experience of animating a skull mask on stilts, Mr. Peanut, and a puppet,
Sheherazade. Mr. Peanut travels to many Latin American countries, and the article remembers episodes from Ayacucho, Perú, and Santiago de Chile, and the meetings with soldiers and police.

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Author Biography

Julia Varley, Odin Teatret

Nasceu em Londres, residiu em Milão, onde concluiu seus estudos secundários e universitários e desde 1976 vive na Dinamarca como parte do Odin Teatret, onde trabalhou como atriz em diversas produções e como pedagoga em escolas e universidades. Desde 1990, faz parte da concepção e organização da Escola Internacional de Antropologia Teatral, dirigida por Eugenio Barba, e desde 1986 do Projeto Magdalena. É diretora artística do Festival Transit, em Holstebro. Dirigiu espetáculos em parceria com companhias de diversos países ao redor do mundo. É a editora responsável pela publicação anual The Open Page e autora do romance Viento al Oeste e do livro Piedras de Agua, sobre seu trabalho como atriz do Odin Teatret.

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Published

2020-07-29

How to Cite

VARLEY, Julia. A true marriage of opposites. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 22, p. 232–247, 2020. DOI: 10.5965/2595034702222020232. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/2595034702222020232. Acesso em: 17 jul. 2024.

Issue

Vol. 1 No. 22 (2020): Censura e transgressão no Teatro de Animação

Section

Artigos fora do Dossier Temático

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Copyright (c) 2020 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas

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