History (decolonial) of Scarves and Winds
DOI:
https://doi.org/10.5965/2595034701292024381Keywords:
animation theatre, brazilian theater, children's theatre, Ilo Krugli, object theatreAbstract
In this article, the author presents a provocation that seeks to bring together the production of História de lenços e ventos, premiered in 1974, by Teatro Ventoforte, directed by Ilo Krugli, with the advent of Teatro de Objects, which took place in the subsequent decade. Going through the premises of this segment of the Performing Arts, a review of the editing is presented in order to weave a new – decolonial – look at the director's choices.
Downloads
References
ADICHIE, Chimamanda Ngozi. O perigo de uma história única. São Paulo: Companhia das Letras, 2019.
ARGAN, Giulio Carlo. Arte Moderna. São Paulo: Companhia das Letras, 2006.
BAUDRILLARD, Jean. O sistema dos objetos. São Paulo: Perspectiva, 2009
CARRIGNON, Christian. Le theater d’objet: mode d’emploi. Open Editions Journals. Volume 4, 2011. Disponível em: https://journals.openedition.org/agon/2079 Acesso em 25/09/2023.
COHEN, Renato. Performance como linguagem. São Paulo: Perspectiva, 2004.
KRUGLI, Ilo. História de lenços e ventos. Rio de Janeiro: Editora Didática e Científica, 2000.
MIGNOLO, Walter. Desafios Decoloniais Hoje. In: Epistemologias do Sul. Foz do Iguaçu: No. 1, 2017. Disponível em PDF: https://revistas.unila.edu.br Acesso em 28/09/2023.
___________________. Colonialidade– O lado mais escuro da modernidade. In: Revista Brasileira de Ciências Sociais – VOL. 32 N° 94, 2016. Disponível em PDF: https://scielo.br Acesso em 28/09/2023.
PAVIS, Patrice. Dicionário da Performance e do Teatro Contemporâneo. São Paulo: Perspectiva, 2017.
VARGAS, Sandra. O Teatro de Objetos: história, ideias e reflexões. In: Revista Móin-móin – Revista de Estudos sobre o Teatro de Formas Animadas, No. 7. Jaraguá do Sul: SCAR/UDESC, 2010.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Móin-Móin Magazine - Studies in the Art of Puppetry
This work is licensed under a Creative Commons Attribution 4.0 International License.
The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.
The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:
“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"
Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.
This journal uses Creative Commons Attribution Licence– (CC BY 4.0).