Considerations about the grotesque in the Popular Puppetry of Brazilian Northeast
DOI:
https://doi.org/10.5965/2595034701262022017Keywords:
popular comedy, puppet theatre, mamulengo’s theatreAbstract
The poetic of the Popular Puppetry of Brazilian Northeast (Teatro de Bonecos Popular do Nordeste/T.B.P.N.) explores the grotesque element in a parodic way, as a resource of comicity – and a very Brazilian comicity. Based on the relationship between the ideas of Bakhtin (1993) and Propp (1992) and data collected by the research Change and Pemanence in Contemporary Mamulengo, this paper indicates how the grotesque dimension of the popular imagination remains alive in the visuality and theatrical games of this genre of Puppet Theatre.
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ABREU, Luís Alberto de. A restauração da narrativa. In: NICOTELE, Adélia (org). Luís Alberto de Abreu: um teatro de pesquisa. São Paulo: Perspectiva, 2011, p. 599-609.
BAKHTIN, Mikhail. A cultura popular na Idade Média e Renascimento: o contexto de François Rabelais. Trad. Yara Frateschi Vieira. São Paulo: Hucitec; Brasília: Editora da Universidade de Brasília, 1993.
HAUSER, Arnold. História social da literatura e da arte. São Paulo: Ed. Martins Fontes, 1998.
NAMUR, Virgínia Maria de Souza Maisano. Dercy Gonçalves – o corpo torto do teatro brasileiro. 2009. 348 f. Tese (Doutorado) – Universidade Estadual de Campinas, Campinas, SP, 2009.
PROPP, Vladímir. Comicidade e riso. São Paulo: ed. Ática, 1992.
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