About Theater of Animated Forms, in Minas Gerais: interview with Conceição Rosière
DOI:
https://doi.org/10.5965/2595034702232020235Keywords:
Teatro de animação, voz feminina, bonecosAbstract
In 1985, the Minas Gerais Puppet Theater Association (ATEBEMG) was created,
responsible for promoting, over the years, important dialogues and projects of its members,
among which we can affirm the fundamental presence of the puppeteer Conceição Rosière who
contributes, always, for the longevity and vigor of the Association. As a puppeteer, teacher,
researcher and member of ATEBEMG, and considering the global situation caused by Covid-19
and the “triggering” and latent theme proposed by Móin-Móin Magazine - The performance of
women in the Animation Theater -, I felt instigated to register part of the path taken by Conceição
Rosière and, to interview her in the virtual modality and, thus, to share with different readers the
female voice translated in the force of a collective.
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References
APOCALYPSE, Álvaro. Mercado de Trabalho. In: TEODORO, Maria de Lourdes (Org.). Ensino das Artes na Universidade. Textos Fundantes. Curitiba: Appris, 2018.
PIMENTEL, Lúcia. Limites em Expansão. Licenciatura em Artes Visuais. Belo Horizonte: Ed. C/Arte, 1999.
SPIVAK, Gayatri C. Pode o subalterno falar? Belo Horizonte: Ed. UFMG, 2019.
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