A Voz no Teatro Popular do Nordeste
DOI:
https://doi.org/10.5965/2595034701192018158Abstract
O artigo contextualiza a voz no Teatro de Mamulengo, e consequentemente a voz no teatro de bonecos enquanto teatro de rua bem como as peculiaridades de tipos e timbres que esta proposta cênica abarca. Trata também de alguns aspectos de sua fusão com outras artes populares que envolvem a voz como meio de expressão. O texto também aponta para a cosmologia do pensamento deste mestre criador, bem como suas singularidades.
Palavras-chave: Voz. Mamulengo. Folguedo. Cultura popular. Folclore.
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