Handcraft: merchandise, value and fetish
DOI:
https://doi.org/10.5965/1982615x09182016121Keywords:
crafts, merchandise, fetishAbstract
The article aims to expose reflections on the handcraft as a symbolic differential for fashion products and design. Thetext presents reflections on the representations of craft production to the consumer market from the study of the categories: commodity fetish and value. Therefore, they were used with theoretical support the concepts erected by Karl Marx and empirical observations on the exploitation of handcraft by the current luxury market, for example. The methodological routes adopted for the construction of research guided in field research, specifically with participant observation, and literature review. The results point to the construction of interesting reflections on the exploitation of cultural goods and elements derived from popular culture as agregators value to drivers of consumption today.
Downloads
References
APPADURAI, Arjun. A vida social das coisas: as mercadorias sob uma perspectiva cultural. Rio de Janeiro: EdUFF, 2008.
ADORNO, T. Educação e Emancipação. São Paulo: Paz e Terra, 2003.
______. HORKHEIMER, Marx.Dialética do Esclarecimento. Tradução Guido de Almeida. Rio de Janeiro: Zahar, 1988.
BARROSO, E. N. Curso design, identidade cultural e artesanato. Fortaleza: SEBRAE; FIEC, 2002.
BORGES, Adélia. Design + Artesanato: o caminho brasileiro. São Paulo: Editora Terceiro Nome, 2011.
CANCLINI, Nestor Garcia. As culturas populares no capitalismo. São Paulo: Brasiliense, 1993.
______. Consumidores e cidadãos. Rio de Janeiro: UFRJ, 2008a.
______. Culturas híbridas.São Paulo: Edusp, 2008b.
CERTEAU, Michel de. A invenção do cotidiano: artes de fazer. Petropólis, RJ: Vozes, 2013.
ESTRADA, Maria Helena. Sete anos de transformações: design, artesanato, indústria e mercado. Revista Arc Design, n.38. São Paulo: Quadrifólio Editora, 2004.
FACULDADE LATINO-AMERICANA DE CIÊNCIAS SOCIAIS. Perfil do artesão cearense: tipologias selecionadas.Fortaleza: FAT, 1996.
FREITAS, Ana Luíza Cerqueira. Design e artesanato: uma experiência da metodologia deprojeto de produto. 2006. Dissertação (Mestrado em Engenharia) –Programa de Pós-Graduação em Engenharia –PPGE, Escola de Engenharia da Universidade Federal de Minas Gerais, Belo Horizonte, 2006.
GALVÃO, Roberto. Aracati: Labirinto de Sonhos e de luz.Fortaleza: Edições Sebrae, 2006.
GOFFMAN, Erving. A representação do eu na vida cotidiana.Petrópolis, RJ: Vozes, 1975.
______. Los momentos e sus hombres.Barcelona: Paidós, 1991.
LIPOVETSKY, G. O império do efêmero: a moda e seu destino nas sociedades modernas. São Paulo: Cia das Letras, 2008.
LIMA, Ricardo Gomes. O povo do candeal:sentidos e percursos da louça de barro. 2006. Tese (Doutorado em Antropologia). Programa de Pós-Graduação em Sociologia e Antropologia, Universidade Federal do Rio de Janeiro, Rio de Janeiro, 2006.
LUZ, Ana Carla Andrade. Artesanato de luxo: da arte popular ao objeto de desejo.2013. Trabalho de Conclusão de Curso –Curso Superior de Tecnologia em Design de Moda, Faculdade católica do Ceará, Fortaleza, 2013.
MARX, Karl. Manuscritos econômicos filosóficos.São Paulo: Boitempo, 2004.
______. O capital: crítica da economia política:livro 1/Karl Marx; tradução de Reginaldo Sant’anna –30º edição, Rio de Janeiro: Civilização Brasileira, 2012.
SEBRAE. Artesanato: um negócio genuinamente brasileiro. Vol. 1, n°1. Março de 2008.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2016 Emanuelle Kelly Ribeiro da Silva
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
When submitting an article for publication in ModaPalavra e-periodico, the author (s) agree (s) with the following terms:
- Authors maintain the copyright in their manuscripts and grant the journal the right of first publication, with work simultaneously licensed under the Creative Commons Attribution-NonCommercial 4.0 International, which allows sharing the work with the acknowledgment of authorship and the initial publication in the journal without payment ;
- Authors may use the same results in other publications after the first publication, provided that they indicate ModaPalavra e-journal as the original publication medium;
- Authors are authorized to take additional contracts, separately, only after the original publication in ModaPalavra e-journal, provided they indicate ModaPalavra e-journal as the original publication medium;
- Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page), only after the editorial process and the first publication, provided they indicate ModaPalavra e-journal as the original publication medium;
- To indicate ModaPalavra e-journal as the original publication medium, authors should use the following text template: "This article was originally published by ModaPalavra e-periodical, under a CC BY NC license, in its volume [insert volume] number [insert number] in the year of [insert year], and can be accessed at: http://www.revistas.udesc.br/index.php/modapalavra/ ";
- The opinions expressed in the articles are the author’s sole responsibility, not necessarily reflecting the journal’s opinion. The publication of any material that is owned and held in copyright by a third party, including – but not limited to - articles, photos or drawings was previously authorized by their representatives to be published in ModaPalavra e-journal.
