Zintkala Woihanbla (Sonhos de Pássaros):  deriva e outras performances decoloniais para sobreviver a e abolir a prisão:

Tria  Blu Wakpa; George Blue Bird

doi:10.5965/14145731033920200112

Autores/as

Tria Blu Wakpa UCLA
George Blue Bird

DOI:

https://doi.org/10.5965/14145731033920200112

Palabras clave:

Nativo Americano, El colonialismo, Prisión, La actuación, Abolición, Antropocentrismo, Confrontación

Resumen

La investigación ha pasado por alto a menudo cómo los nativos americanos, que están desproporcionadamente encarcelados, han desarrollado tácticas para hacer frente a la prisión a largo plazo. Basado en la correspondencia y conversaciones entre los autores, este ensayo presenta las actuaciones descoloniales de George Blue Bird, bajo condiciones de violencia carcelaria, para sobrevivir y abolir la prisión. Estas tácticas de afrontamiento son: 1. alimentar las conexiones con más-que-los-humanos; 2. la deriva, un término de Pájaro Azul adoptado para imaginar, viajar y habitar otros reinos; y 3. activar la libertad y el futuro. En última instancia, nos centramos en lo que estas tácticas y epistemologías Lakota ofrecen al movimiento de abolición de las prisiones.

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Biografía del autor/a

Tria Blu Wakpa, UCLA

Dr. Tria Blu Wakpa is a professor at UCLA Department of World Arts and Cultures/Dance since 2018. Her research and teaching combines community-based, Indigenous, and feminist methodologies with critical race theories to examine the politics and practices of dance and other movement practices in educational and carceral institutions for Indigenous peoples

George Blue Bird

An Oglala Lakota elder, is a writer, artist, and activist. He currently serves as President of the Native American Council of Tribes at the South Dakota State Penitentiary, where he has been imprisoned for the last thirty-six years without the possibility of parole.

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Zintkala Woihanbla (Sueños de Pájaro): la deriva y otras actuaciones descoloniales para sobrevivir y abolir la prisión

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Tria Blu Wakpa, UCLA

George Blue Bird

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