Objects machines, objects of death and memory: the kantorian poïein
DOI:
https://doi.org/10.5965/1414573104492023e0204Keywords:
physicality, conscious action, stage design, props, signsAbstract
In this article, I will examine the poetic relationships between actors and stage objects in specific scenes of the theatrical performance "Wielopole-Wielopole," directed by Polish director Tadeusz Kantor. To accomplish this, I will first provide a brief definition of the terms "poetics" and "stage objects". To synthesize the concept of poetics, I will refer to Pareyson (2001). Regarding the semiotic study of stage objects, I will draw on the works of Ubersfeld (2005), Pavis (2005), and Fischer-Lichte (1999). Lastly, I will analyze the placement of objects in the director's related praxis.
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References
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http://amediavoz.com/gelman.htm
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https://www.revistas.udesc.br/index.php/dapesquisa/article/view/15825
https://youtu.be/a235hHGFIps?t=3 (vídeo de A Classe Morta).
https://youtu.be/8wsAfotRhbc?t=44 (vídeo de Wielopole-Wielopole).
https://youtu.be/8wsAfotRhbc?t=1128 (cena do casamento de Wielopole-Wielopole)
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