The New Woman: Male anxieties and female circumvention in Berlin cabaret

Authors

DOI:

https://doi.org/10.5965/1414573102412021e0105

Keywords:

New Woman, Cabaret, Typifications, Weimar Republic

Abstract

The New Woman was a complex, multidimensional, heterogeneous and gradual phenomenon that gained strength in Germany during the Weimar Republic. The right to female participation in politics guaranteed by the 1919 Constitution and the influx of women in the labor market generated male tensions about gender roles. Cabaret worked as a commentator of its time and shed light on the masculine anxieties regarding the New Woman, representing them through typifications. This article intends to analyze some of these typifications - evidence of male concerns - in counterpoint to female strategies to circumvent them.

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Author Biography

Lívia Sudare Oliveira, Universidade Federal do Bahia (UFBA)

Doutora em Teatro pelo Programa de Pós Graduação em Teatro da Universidade do Estado de Santa Catarina (UDESC), Mestre em Teatro pelo mesmo programa, Graduação em Educação Artística com habilitação em Artes Cênicas pela UDESC. Bacharel em Direito pela Universidade do Sul de Santa Catarina. Professora doutora da Universidade Federal da Bahia (UFBA).

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Published

2021-09-14

How to Cite

OLIVEIRA, Lívia Sudare. The New Woman: Male anxieties and female circumvention in Berlin cabaret. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 2, n. 41, p. 1–21, 2021. DOI: 10.5965/1414573102412021e0105. Disponível em: https://revistas.udesc.br/index.php/urdimento/article/view/20573. Acesso em: 21 nov. 2024.