Stanislavsky: Uncensored and Unabridged

Authors

DOI:

https://doi.org/10.5965/1414573101402021e0700

Keywords:

Konstantin Stanislavsky, Publishing process, Theater History

Abstract

The paper traces a historical and biographical panorama of Konstantin Stanislavsky's last decades of life to understand to what extent his image and work were framed, manipulated, and even modified, inside and outside Russia. Professor Sharon Marie Carnicke recalls the complexities and contradictions to which Stanislavsky was subordinated both in Russia in the face of Stalin's censorship and materialistic-dialectic propaganda and in the US, either through the tours of the Moscow Art Theater that boosted the director in the West, or through the crucial copyright contract signed with his translator Elizabeth Hapgood.

Downloads

Download data is not yet available.

Author Biographies

Sharon Marie Carnicke, Columbia University - USA

Professora de teatro e línguas e literaturas eslavas e uma das fundadoras do Centro de Excelência em Ensino da USC. Fluente em russo, ela é a autora internacionalmente aclamada de Stanislavsky in Focus (agora em sua segunda edição), que revela as maneiras significativas nas quais o Método Americano e o Sistema Stanislavsky de treinamento de atores diferem um do outro. As críticas consideram seu livro leitura essencial para atores, diretores e acadêmicos de teatro. PhD, Columbia University – USA.

Felipe Rodrigues Carvalho, Universidade de São Paulo (USP)

Felipe Carvalho is an actor and an undergraduate student of Performing Arts with a degree in Theater Acting from the School of Communication and Arts at the University of São Paulo (ECA-USP). He has done an undergraduate exchange at University Paris 8 Vincennes-Saint-Denis (France), where he studied performing arts during the 2019/2020 academic year. He acted in plays related to undergraduate disciplines and also in plays by companies such as Teatro do Perverto, among them A Demência dos Touros (2017) [The Dementia of the Bulls] and Roda Morta (2018/2019) [Dead Wheel]. The latter was adapted to the cinema, directed by Dellani Lima and entitled Rompecabezas, which premiered at the 15th Latin-American Cinema Festival of São Paulo (2020). He is also a translator of theater-related papers from English and French to Portuguese.

References

BENEDETTI, Jean. Stanislavski: An Introduction. New York: Theatre Arts Books, 1982.

BENEDETTI, Jean. Stanislavski: A Biography. New York: Routledge, 1990a.

BENEDETTI, Jean. A history of Stanislavski in translation. New Theatre Quarterly, n. 23, p. 266-278, ago. 1990b.

BENTLEY, Eric. Who was Ribot? Or did Stanislavsky know any psychology? Tulane Drama Review, v. 7, n. 2 (TI9), p. 127-129, 1962.

BOLESLAVSKY, Richard. Stanislavsky: The man and his methods. Theatre Arts Magazine, n. 37, p. 27, 74, 80, abr. 1923.

BOLESLAVSKY, Richard. Acting: The First Six Lessons. New York: Theatre Arts Books, 1933.

CARNICKE, Sharon M. An Actor Prepares/Rabota aktera nad soboi: A comparison of the English with the Russian Stanislavsky. Theatre Journal, v. 36, n. 4, p. 481-494, dez. 1984.

CARNICKE, Sharon M. Boleslavsky in America. In: SENELICK, Laurence (org.). Wandering Stars: Russian Emigré Theatre (1905-1940), Iowa City: University of Iowa Press. 1992a.

CARNICKE, Sharon M. Stalinslavsky: Stanislavsky's Last Years. Theatre Three, n. 10/11, p. 152- 165. 1992b.

CARNICKE, Sharon M. Stanislavsky in Focus: an acting master for the twenty-first century. 2. ed. New York: Routledge, 2009.

DERMAN, A. Literaturnaya gazeta, 15, VIII, n. 45, p. 5. 1938.

DIXON, Leslie. Outrageous Fortune. Direção: Arthur Hiller. Touchstone Pictures. 1987.

DYBOVSKII, Vladimir. V Plenu predlagaemyx obstoiatel'stv. Minuvshee, 10. Paris: Atheneum. 1992.

EMELJANOW, Victor. (org.) Chekhov: The Critical Heritage. Boston: Routledge and Kegan Paul. 1981.

GELBARD, Larry; SCHISGAL, Murray. Tootsie. Direção: Sydney Pollack. Columbia Pictures. 1982

GRIGOR'EV, A. Trud, 10, VIII, n. 183, p. 3-4. 1938.

GUS, M. Sovetskoe iskusstvo, 6, n. 412, p. 3-4. 1938.

HOBGOOD, Burnet. Central conceptions in Stanislavski's system. Educational Theatre Journal, v. 25, n. 2, p. 147-159. 1973.

HOBGOOD, Burnet. Stanislavski's books: an untold story. Theatre Survey, v. 27, n. 1 e 2, p. 155-165. 1986.

HOOVER, Marjorie. Review of Meyerhold at Work. SCHMIDT, Paul (org.). The Slavic Review, v. 41, n. 1, p. 194, mar./maio. 1982.

KHAILOV, L. Sovetskaya Belorussiya. 9, VIII, n. 138, p. 2. 1938.

MACGREGOR, Robert. Further entries for a chronology. In: MUNK, Erica (org.). Stanislavsky and America. New York: Hill and Wang, 1966. p. 178-181.

SCHNITZLER, Henry. Truth and consequences of Stanislavsky misinterpreted. Quarterly Journal of Speech, v. 40, n. 2, p. 3-15, abr. 1954.

SENELICK, Laurence. Stanislavsky's double life in art. Theatre Survey, v. 22, n. 2, p. 201-211. 1981.

SIMONOV, Pavel Vasilievich. Metod K. S. Stanislavskogo i fiziologiia emocii. Moscow: Akademiia nauk. 1962.

SMELIANSKII, Anatolii Mironovich. Stanislavski et le Stalinisme. Artigo apresentado no colóquio sobre Stanislávski: Le Siècle Stanislavski, Centre Georges Pompidou, Paris, 2-6 nov. 1988.

SMELIANSKII, Anatolii Mironovich. Mikhail Bulgakov v Khudozhestvennom teatre. Moscow: Iskusstvo. 1989.

SMELIANSKII, Anatolii Mironovich. Artigo não publicado, apresentado em Stanislavsky in a Changing World, International Center for Stanislavsky Studies Moscow. 1990.

STANISLAVSKII, K.S. My Life in Art. Trad. J.J. Robbins. Boston: Little, Brown, & Co, 1924.

STANISLAVSKII, K.S. Sobranie sochinenii. Moscow: Iskusstvo, 1954-1961. 8 v.

STANISLAVSKII, K.S. Iz zapisnyx knizhek. Moscow: VTO. 1986. v. 1 e 2.

STRASBERG, Lee. The Actors Studio. Gravação de áudio, n. 339A. Madison: Wisconsin Center for Film and Theatre Research at the State Historical Society of Wisconsin. 1956-1969.

STRASBERG, Lee. Acting. Encyclopaedia Britannica, v. 1, p. 58-64. 1957.

STRASBERG, Lee. Letter to the editor. Tulane Drama Review, v. 12, n. 1 (T33), p. 234-239. 1966.

YURA, G.P. Sovetskoe iskusstva, 6, n. 412, p. 3. 1938.

Downloads

Published

2021-04-28

How to Cite

CARNICKE, Sharon Marie; CARVALHO, Felipe Rodrigues. Stanislavsky: Uncensored and Unabridged. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 1, n. 40, p. 1–20, 2021. DOI: 10.5965/1414573101402021e0700. Disponível em: https://revistas.udesc.br/index.php/urdimento/article/view/19393. Acesso em: 22 dec. 2024.

Issue

Vol. 1 No. 40 (2021): Curadoria da Performance e Processos de Cura em Artes Cênicas

Section

Translations

License

Copyright (c) 2021 Urdimento - Revista de Estudos em Artes Cênicas

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright Statement

The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
 http://www.revistas.udesc.br/index.php/urdimento

This work is licensed under a Creative Commons Attribution 4.0 International License.