Does contemporary photography have a history?
DOI:
https://doi.org/10.5965/2175234607132015134Abstract
In this article, Michel Poivert sets out some issues addressed in the book Photographie contemporaine, first published in 2012 and reissued and expanded in 2010. He updates his observations on contem- porary photography, this phenomenon that undergoes constants changes.
Downloads
References
ARENDT, Hannah. “La crise de la culture, sa portée sociale et politique”, La crise de la culture. Traduction Barbara Cassin. Paris, Gallimard, Collection folio essais, 1961, p. 253-288.
BRUNET, François. La naissance de l’idée de photographie, Presse Universitaires de France, 2011.
KATZ, Leslie, “Interview with Walker Evans”, Art in America, March-April 1971. POIVERT, Michel. La photographie contemporaine. Paris, Flammarion, 2010.
ROBERTS, John. The Impossible document, Photography and Conceptual art in Britain 1966-1976, Camera Work, Londres, 1997.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2015 Michel Poivert, Andrea Eichenberger
This work is licensed under a Creative Commons Attribution 4.0 International License.
COPYRIGHT STATEMENT
The articles published by the magazine are free to use, intended for academic and non-commercial applications. Copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of Palíndromo Magazine. The author (s) commits to whenever they publish material referring to the article published in Palíndromo mention this publication as follows:
This article was originally published by Palíndromo magazine in its volume (place the volume), number (place the number) in the year of (place the year) and can be accessed at: http://www.revistas.udesc.br/index.php/palindromo