Arte e Processos Colaborativos na Esfera Pública: a experiência do inSITE na região da fronteira entre México–Estados Unidos

Authors

  • Luiz Sérgio de Oliveira Federal University of Rio de Janeiro image/svg+xml

DOI:

https://doi.org/10.5965/2175234604082012006

Keywords:

art, collaboration, community, public sphere

Abstract

Since 1992 inSITE has promoted the making of art projects across the public spaces of the border zone of San Diego (USA) and Tijuana (Mexico), having commissioned more than 200 projects, conceived by artists for the context of this region. In this article we investigated the inSITE construction process in the light of the new art practices in the public sphere, focusing on the contributions, hesitations and contradictions of its interaction with the border context. We aim to bring to the critical debate issues related to the production of art in public spaces today, such as community participation in the production of art, the role reserved for the public, the challenges artists face in attempting to respond to realities that are unfamiliar to them, and the continuous, tense negotiation among artists, curators and institutions.

Downloads

Download data is not yet available.

Author Biography

Luiz Sérgio de Oliveira, Federal University of Rio de Janeiro

Doutor em Artes Visuais pela Escola de Belas Artes da UFRJ, Mestre em Artes pela New York University, e Graduado em Artes Plásticas (Pintura) pela Escola de Belas Artes da UFRJ.

References

DOHERTY, Claire. The New Situationists. In: DOHERTY, Claire (ed.). Contemporary Art: From Studio to Situation. Londres: Black Dog Publishing, 2004, p. 7-13.

FIRSTENBERG, Lauri. San Diego-Tijuana. Art Papers Magazine, Atlanta, Georgia, v. 29, n. 6, p. 60, nov. – dez. 2005.

FOUCAULT, Michel. Of Other Spaces. Diacritics 16, primavera de 1986, p. 22-27.

FRASER, Andrea. Museum Highlights: the Writings of Andrea Fraser. ALBERRO, Alexander (ed.). Cambridge, Mass.: The MIT Press, 2005.

FUENTES, Carlos. A fronteira de cristal. In: A fronteira de cristal. Trad. Mauro Gama. Rio de Janeiro: Rocco, 1999.

HUNTINGTON, Samuel P. O choque de civilizações e a recomposição da ordem mundial. Trad. M.H.C. Côrtes. Rio de Janeiro: Objetiva, 1996.

HUNTINGTON, Samuel P. The Hispanic Challenge. Foreign Policy, n.141, p. 30-45, mar./abr. 2004.

JACOB, Mary Jane. Outside the Loop. In: JACOB, Mary Jane; BRENSON, Michael; e OLSON, Eva M. Culture in action. Seattle, Wash.: Bay Press, 1995, p. 50-61.

JUSIDMAN, Yishai. inSITE. Art Issues, San Diego, no. 36, jan. - fev. 1995, p. 46-48.

KESTER, Grant H. Conversation Pieces: Community + Communication in Modern Art. Berkeley, Cal.: University of California, 2004.

KRAVAGNA, Christian. Working on the Community: Models of Participatory Practice. Disponível em: <http://www.republicart.net>.

KWON, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge, Mass.: The MIT Press, 2002.

PAZ, Octavio. Tempo nublado. Rio de Janeiro: Editora Guanabara, 1986.

PHILLIPS, Patricia C. Temporality and Public Art. In: SENIE, Harriet F. e WEBSTER, Sally (eds.). Critical Issues in Public Art. Washington, D.C.: Smithsonian Institution Press, 1998, p. 295-304.

Published

2013-06-18

How to Cite

OLIVEIRA, Luiz Sérgio de. Arte e Processos Colaborativos na Esfera Pública: a experiência do inSITE na região da fronteira entre México–Estados Unidos. Palíndromo, Florianópolis, v. 4, n. 8, 2013. DOI: 10.5965/2175234604082012006. Disponível em: https://revistas.udesc.br/index.php/palindromo/article/view/3451. Acesso em: 21 nov. 2024.

Issue

Section

Artigos Seção temática