Mariana and Brumadinho: graphic essay

Authors

DOI:

https://doi.org/10.5965/2175234614342022188

Keywords:

Engraving, Print, Struck by dams, Artistic Visual Poetics

Abstract

It is a set of visual representations in print engraving, in woodcut, specifically, built from the feelings experienced during a visit to Paracatu de Baixo, District of the city of Mariana, Minas Gerais, in 2017, two years after the same having been hit by an iron mining dam mud spill. As part of the visit, an art workshop was held with inhabitants of the region, at the invitation of the UFOP Ouro Preto Winter Festival - Mariana campus. To the set of woodcuts on Mariana, a few more were added in 2019, engraved after another spill, this time in the city of Brumadinho, also in Minas Gerais, decimating hundreds of people. The engravings in this graphic essay were built by observation, memory, imagination, intuition about images conveyed by the media of the Brumadinho tragedy and by the artist’s own visual poetics. They are attempts at visual artistic expression of the events that took place, in homage to the people who died in the two mud spills and in solidarity with the residents affected by the dams.

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Author Biography

José Milton Turcato, University of São Paulo

Artista do desenho, da gravura e da pintura, de exposições regulares e formado da graduação ao doutorado pela Universidade de São Paulo. Pós-doutorado pela Universidade Estadual de Campinas.

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Published

2022-09-01

How to Cite

TURCATO, José Milton. Mariana and Brumadinho: graphic essay. Palíndromo, Florianópolis, v. 14, n. 34, p. 188–202, 2022. DOI: 10.5965/2175234614342022188. Disponível em: https://revistas.udesc.br/index.php/palindromo/article/view/22238. Acesso em: 22 dec. 2024.

Issue

Vol. 14 No. 34 (2022): A terra dura: potências do sonho e arte

Section

Artigos Seção temática

License

Copyright (c) 2022 José Milton Turcato

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

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