Liquid stitching: a story of bonds and infiltrations

Authors

  • Luanda de Oliveira Rainho Ribeiro Universidade do Estado de Santa Catarina (UDESC)

DOI:

https://doi.org/10.5965/2175234614322022371

Keywords:

Contemporary art, Drawing, Fabulation, Women artists, Subjectivity in Art

Abstract

This work is a visual essay composed of eight drawings from a series named Liquid Stitching, made with ink on paper in the year 2020. The works stem from poetic and conceptual connections with works by female artists and writers that are references for the author, constituting records of fictional encounters. The production of this series was triggered by reflections about the construct of misogyny within the history of western philosophy, and the paths that were taken during the production process led to a poetic approch that involves the concept of liquidity as a creative power and fabulation as a creative procedure for a narrative where the stitching is done through the drawn ink lines.

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References

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ufsc.br/index.php/ref/article/view/9880 Acesso em: 28 jan. 2021.

CRAMPE-CASNABET, Michèle. A mulher no pensamento filosófico do século XVIII. In: DUBY, G.; PERROT, M. (Dirs). História das mulheres no ocidente: do Renascimento a Idade Moderna, v. 3. Porto, Portugal: Afrontamento, 1999.

KURY, Mário da Gama. Dicionário de mitologia grega e romana. 8. ed. Rio de Janeiro: Zahar, 2009.

PIMENTEL, Mariana Rodrigues. Fabulação: a memória do futuro. 2010. Tese (Doutorado em Letras) — Pontifícia Universidade Católica, Rio de Janeiro, 2010.

RANKE-HEINEMANN, Uta. Eunucos pelo reino de Deus: mulheres, sexualidade e a Igreja católica. Rio de Janeiro: Rosa dos Tempos, 1996.

Published

2022-01-03

How to Cite

RIBEIRO, Luanda de Oliveira Rainho. Liquid stitching: a story of bonds and infiltrations. Palíndromo, Florianópolis, v. 14, n. 32, p. 371–384, 2022. DOI: 10.5965/2175234614322022371. Disponível em: https://revistas.udesc.br/index.php/palindromo/article/view/19695. Acesso em: 22 dec. 2024.