LUSTMORD AND THE LIMITS OF REPRESENTATION
DOI:
https://doi.org/10.5965/21752346102202018025Keywords:
Jenny Holzer, representations of violence, Lustmord, rape, visual cultureAbstract
This paper analyses the work Lust-mord (1993), by the American visual artist Jenny Holzer, created in response to the atrocious events of sexual violence committed by Serbian soldiers agaist Muslim Women in war-torn Bosnia, from 1992 to 1995. Its objective is to think how Holzers’ work managed to assert itself in a culture already saturated with images of violence.
Downloads
References
BAL, Mieke. Reading Rembrandt: beyond the word-image opposition. Amsterdam: Amsterdam University Press, 2006.
__________. The Pain of Images. In: REINHARDT, Mark; EDWARDS, Holly; DUGANNE, Erina. Beautiful Suffering: Photography and Traffic in Pain. Chicago: University of Chicago Press, 2007.
DESPENTES, Virginie. Teoria King Kong. Tradução Márcia Bechara. São Paulo: n-1 edições, 2016.
FERGUNSON, Bruce. Wordsmith: an interview with Jenny Holzer. Art in America, p. 109-113, dez. 1986.
FOSTER, Hal. Subversive sign. In: Recording: art, spectacle, cultural politics. Seattle: Bay Press, 1986, p. 88-91.
HUGHES, Gordon. Power’s Script: or, Jenny Holzer’s Art after ‘Art after Philosophy’ Oxford Art Journal, Volume 29, Issue 3, 1 October 2006, Pages 419–440, 01 October 2006.
JOSELIT, David; SIMON, Joan; SALECL, Renata. Jenny Holzer. London: Phaidon Press, 1998.
MADOFF, Steven H. Jenny Holzer talks to Steven Henry Madoff. Artforum International, 41.8, p. 82-83, 2003.
REINHARDT, Mark; EDWARDS, Holly; DUGANNE, Erina. Beautiful Suffering: Photography and Traffic in Pain. Chicago: University of Chicago Press, 2007.
SONTAG, Susan. Diante da dor dos outros. Tradução Rubens Figueiredo. São Paulo: Companhia das Letras, 2003.
WALDMAN, Diane. Jenny Holzer. Nova Iorque: Guggenheim Museum, 1997.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2018 Palíndromo
This work is licensed under a Creative Commons Attribution 4.0 International License.
COPYRIGHT STATEMENT
The articles published by the magazine are free to use, intended for academic and non-commercial applications. Copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of Palíndromo Magazine. The author (s) commits to whenever they publish material referring to the article published in Palíndromo mention this publication as follows:
This article was originally published by Palíndromo magazine in its volume (place the volume), number (place the number) in the year of (place the year) and can be accessed at: http://www.revistas.udesc.br/index.php/palindromo