What will be?

Authors

DOI:

https://doi.org/10.5965/2595034701292024430

Keywords:

anthropology, memory, society, theater, time

Abstract

This text was produced following an invitation to the author to participate in the International Colloquium Après La Scène: Les Autres Vies de la Marionnette, organized by the Centre National du Costume et de la Scène, in Moulins (France). The theme of the colloquium sought to mobilize reflections on the problem that involves the survival of the figures created for Puppet Theater, when the repertoires are no longer active or when the groups that gave rise to them end. In this work, orbiting about the term "rest", understood as that which resists
disappearance, as the place of inscription and testimony of time, the author focuses on the objects and the place they occupy in our societies. The relationship with time is also analyzed, based on the questioning of what a society prohibits itself from destroying or sacrificing, based on what remains, what stays. What could be our relationships, in time, with these works, located in another context? What dynamics are possible beyond the scene?

Downloads

Download data is not yet available.

Author Biographies

Roland Shön

Nascido durante a última Guerra Mundial, no canto esquerdo do fundo da França, é em seu ponto superior que ele agora tem o prazer de ser contemporâneo. Infeliz, como muitos outros, ele teve que viver de uma profissão. Psiquiatria, em um hospital que recebe crianças autistas, até 1999. Com o teatro iniciou em 1978, quando criou a companhia Théâtrenciel (cerca de quarenta criações apresentadas na França e além). Ele gosta de fazer tudo no teatro: escrever, fabricar, atuar, dirigir, com aqueles e aquelas que compartilham sua paixão pelo teatro de "objetos interpostos" (bonecos, sombras, colagens, vídeos) para encantar o público e convidá-los a alimentar sua imaginação, pois Roland continua convencido de que é a imaginação que pode nos ajudar a construir outras realidades além desta, esmagadora, do mundo atual.

Maikele de Farias Azevedo, Universidade Federal do Rio Grande do Sul -UFRGS

Maikele de Farias Azevedo é professora e mestranda em Letras pela Universidade Federal do Rio Grande do Sul (UFRGS) e Master 1 FLE pela Université des Antillese pesquisa a literatura francófona. É licenciada em Letras Português/Francês pela Universidade Federal do Rio Grande do Sul (UFRGS). Atuou como Assistente de Língua Portuguesa na Guiana Francesa, através do programa de Assistants de Langues Vivantes Étrangères (France Éducation International)

References

DEBARY, Octave. De la poubelle au musée: une anthropologie des restes. Creaphiseditions, 2019.

GODELIER, Maurice. Au fondement des sociétés humaines. Albin Michel, 2007.

MICHAUX, Henri. Poteaux d’angle. NRF Gallimard, 1981.

PONGE, Francis. Le parti pris des choses. NRF Gallimard, 1942

RANCIÈRE, Jacques. Le maître ignorant. 10/18 FAYARD, 1987.

Capa da edição 29 da Revista Mói-Móin, com nome dos autores e desenho de Roland Shön

Downloads

Published

2024-05-10

How to Cite

SHÖN, Roland; AZEVEDO, Maikele de Farias. What will be?. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 29, p. 430–439, 2024. DOI: 10.5965/2595034701292024430. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/25510. Acesso em: 17 jul. 2024.

Issue

Vol. 1 No. 29 (2024): Teatro de Objetos: Memória e História

Section

Dossiê Temático

License

Copyright (c) 2024 Móin-Móin Magazine - Studies in the Art of Puppetry

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.

The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:

“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"

Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.

This journal uses Creative Commons Attribution Licence– (CC BY 4.0).