The director in puppet theatre (Eastern European context)

Autores

  • Marek Waszkiel Warsaw Theatre Academy

DOI:

https://doi.org/10.5965/2595034702212019063

Resumo

In Poland, as well in the East European countries, puppet theatres of the second half of the 20th century, and it seems that also in that of the first quarter of the 21st century, the most important person is a director. Was it always so that puppet theatre equals the director? So, the objectives of this study is to determine this problem. It was only in the beginning of 20th century, in the period of the great reform of theatre, that the director was given unlimited competencies. In puppet theatre this process lasted much longer, because the classical style of theatre organization, derived from unaccompanied and private enterprises of particular creators, also endured for longer. Today, it is a director who rules supreme in a puppet theatre. In practice, Polish directors are still convinced today that theatre is intended to tell stories. is process limited puppetry as an independently existing art based primarily on the abilities of the craftsmen; on the miracle of animating a lifeless object, a puppet, whose magical life has so much to offer the spectators. On the contrary, axis of this process stand the artists who see the meaning of their theatrical expression in bring lifeless matter to life. This – when puppet theatre is, after all, a show; it is visual art in motion, not storytelling.

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Biografia do Autor

Marek Waszkiel, Warsaw Theatre Academy

Formado em estudos poloneses na Universidade de Varsóvia (1976). É historiador polonês de teatro de bonecos, crítico de teatro e educador. Ph.D., professor na Academia de Teatro de Varsóvia, Vice-Reitor da Academia de Teatro Aleksander Zelwerowicz em Varsóvia (1999-2005). Foi diretor de Teatro de Animação em Poznan, Polônia (2014-2017) e diretor do Teatro de Bonecos de Bialystok (2005-2012). Coopera com muitas companhias de teatro de bonecos, escolas de teatro de formas animadas e festivais em vários países como consultor de teatro. É membro daUnion Internationale de la Marionnette – UNIMA.

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Publicado

2019-12-20

Como Citar

WASZKIEL, Marek. The director in puppet theatre (Eastern European context). Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas, Florianópolis, v. 2, n. 21, p. 063–077, 2019. DOI: 10.5965/2595034702212019063. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/1059652595034702212019063. Acesso em: 25 fev. 2024.