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Margarete (MARGA) Ferreira: Pioneering Spirit and Female Representation in Brazilian Scenic Lighting

Authors

DOI:

https://doi.org/10.5965/27644669010120210801

Keywords:

Scenic lighting. Light made by women. Creation of light.

Abstract

With a 43-year trajectory in Brazilian scenic lighting, Margarete (Marga) Ferreira is one of the first women to join the lighting profession. In this interview, she tells us stories about her early career as a light operator until her acknowledgment as a light creator, acting in theater shows, puppet theater, operas and, mainly, in music shows, where she worked with artists such as Adriana Calcanhotto, Engenheiros do Hawaii, Cassia Eller and Leila Pinheiro. Her reports show us how empirical her professional development is (from different experiences on making light); give evidence of how this profession was consolidated in Brazil and reveal the difficulties faced by women in this area of expertise.

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Author Biographies

Camila Barbosa Tiago, Universidade Federal de Uberlândia

Mestre em Artes Cênicas pelo Programa de Pós-graduação em Artes Cênicas da Universidade Federal do Rio Grande do Norte - UFRN (2017). Especialista em Iluminação e Design de Interiores pelo Instituto de Pós-graduação - IPOG (2015). Graduada em Teatro (licenciatura) pela Universidade Federal de Uberlândia - UFU (2010). É Diretora de Iluminação do curso de Teatro do Instituto de Artes da UFU.

Natasha Kerolen Leite da Silva, Universidade Federal do Pará (UFPA)

Mestra em Artes pela Universidade Federal do Pará - UFPA (2016). Graduada na primeira turma de Licenciatura em Dança da UFPA (2011) e em Design de Interiores da IFPA (2007). Técnica de Iluminação do Teatro Universitário Cláudio Barradas e Coordenadora do Laboratório CENOLUX / TUCB da UFPA.

Published

2021-07-30 — Updated on 2022-05-05

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How to Cite

TIAGO, Camila Barbosa; SILVA, Natasha Kerolen Leite da. Margarete (MARGA) Ferreira: Pioneering Spirit and Female Representation in Brazilian Scenic Lighting. A Luz em Cena: Revista de Pedagogias e Poéticas Cenográficas, Florianópolis, v. 1, n. 1, p. 1–26, 2022. DOI: 10.5965/27644669010120210801. Disponível em: https://revistas.udesc.br/index.php/aluzemcena/article/view/20784. Acesso em: 22 nov. 2024.