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Vol. 1 No. 50 (2024): Justiça Epistêmica em Artes Cênicas

View Vol. 1 No. 50 (2024): Justiça Epistêmica em Artes Cênicas

Published: 2024-04-28

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Editorial de Dossiês Temáticos

Editorial: Epistemic Justice in Performing Arts

Dodi Tavares Borges Leal

1-7

Dossiê Temático: Justiça Epistêmica em Artes Cênicas

Counting bodies: Between the Archive and Regina José Galindo’s performance

Aila Regina da Silva

1-19
Staged memories: the historical proficiency of the Cast of 'Flor do Deserto' about Caldeirão

Antônio Alison Vasconcelos Marques, Maria de Lourdes Macena de Souza

1-24
Deconstructing discursive closets: criticism and lesbian visibility in As Moças by Isabel Câmara

Camile Cecília dos Anjos

1-27
Pajubá: Aesthetic Justice and Intangible Heritage

Dodi Tavares Borges Leal

1-23
Yakámokeno (listen!): contributions of the Terena indigenous cosmovision to dance and education

Gabriela Di Donato Salvador Santinho

1-27
Trans performativities in the circus: confabulating about aesthetics, politics and dissident epistemologies

Juno Nedel Mendes de Aguiar

1-19
Maybe the wolf is a more docile animal: caravan theater and combating violence against women

Leda Gimbo, Monique Cardoso

1-18
Perspectives for thinking about social and epistemic justice for and with childhoods in dissent

Mateus Fazzioni, Diego de Medeiros Pereira

1-25
The inside, the outside and the gap in between: Libertarian epistemologies and abolitionist scenic practices

Murilo Moraes Gaulês, Maria Galindo Neder, Lia Garcia, Sayak Valencia

1-23
Transphobia as trauma and curatorial criterion of cisnormativity

Oliver Olívia Lagua de Oliveira Bellas Fernandes

1-17
Scene workes: the participation of women in the theatrical cenotechnical craft

Priscila de Souza Chagas do Nascimento

1-27
The paradoxes of a countercolonial theatrical pedagogy

Raimundo Kleberson de Oliveira Benicio

1-25

Continuous flow

Sábato Magaldi collection, far beyond memory

Elen de Medeiros, Ana Clara P. C. Marques

1-20
The Ponto de Partida Group: theatre and music unite communities in a restored silk factory in Barbacena

Evelyn Furquim Werneck Lima, Cláudio Guilarduci

1-19
The Ponto de Partida Group: Theatre and Music unite Communities in a Restored Silk Factory in Barbacena

Evelyn Furquim Werneck Lima, Claudio Guilarduci

1-18
Technique, experience and invention in ballroom dancing

Giancarlo Martins, Fernanda Goya Setúbal

1-23
Medeia Negra (2018): black female body that sings and screams

José Ramón Castillo, Cleiser Schenatto Langaro

1-24
Spaces of female subordination in the Brazilian adaptation The Tempest by William Shakespeare

Laura Ribeiro Araújo

1-17
Yes, women play mamulengo: narratives of women players

Luanna Ferreira da Silva, Fabíola Resende, Rodrigo Matos-de-Souza

1-25
Perspectives on accessibility in performance based on the analysis of Birita Procura-se"

Sidnei Mauro de Melo Junior, Marcia Berselli, Vinicius Rodrigues de Souza

1-25
Escrevivências of a black body between places in the postmodern theater play “Bagagem de Desjeitos”

Thiago Francysco Rodrigues Cassiano, Gustavo Henrique Lima Ferreira

1-28

Resenhas

Living ruins of the Teatro de Arte Israelita Brasileiro (Brazilian Israelite Art Theatre) in the book TAIB: A history of theatre

Paulo Toledo

1-11
Erosions on the face of the language

Manoel Moacir Rocha Farias Junior

1-8

Translations

From catharsis to the cathartic: toward a post-dramatic theory of representation

Jean-Michel Vives, Renata Mattos-Avril; Rafael Percino

Interviews

Fuck Catharsis and the perspective of confusion

Luísa Dalgalarrondo, Carolina Bianchi RIbeiro

1-19
“You are never a body alone”

Marina Magalhães, Sofia Neuparth

1-24

Ensaio Fotografico de Espetáculos

“Ïⁿ¢∅Mød∅„

Zilá Muniz

1-25

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Open submissions (Upcoming editions)

2024 - Dossiês Temáticos

Epistemic Justice in Performing Arts

Submissions until: February 15, 2024

What can be done wit the theory of the theatre?

Submissions until May 02, 2024

Feminist actions/decolonial bodies: setting from the South

Submissions until June 30, 2024

Bodies that write actions

Submissions until September 20, 2024

Black, African and Afrodiasporic Theatricalities

Submissions until September 20, 2024

2025 – Thematic Dossiers

Continuous demand articles

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