A look at the Teatro Experimental de Cali’s Collective Creation Method
DOI:
https://doi.org/10.5965/1414573101542025e0501Keywords:
collective creation, latin American theater, Enrique BuenaventuraAbstract
In this interview with Daniel Felipe Gomez, a member of Teatro Experimental de Cali, we talk about the group's Collective Creation Method, one of the great contributions of TEC and Enrique Buenaventura to Latin American theater. The interview is part of a larger project, an attempt to seek an approximation to the group's methodology, in order to disseminate it here in Brazil and minimize the bibliographic gap we have on the relevant theatrical and pedagogical work developed by the group.
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BUENAVENTURA, Enrique; VIDAL, Jacqueline. Esquema general del método de trabajo colectivo. Acervo do CITEB. Cali. 1975.
BUENAVENTURA, Enrique; VIDAL, Jacqueline. Notas para um método de criação coletiva. Revista Camarim. São Paulo: Cooperativa Paulista de Teatro, 2006.
ENGEL, Leonardo Cesar Ertel. Uma Experiência de Aplicação do Método de Criação Coletiva do TEC (Teatro Experimental de Cali – 1972) na Montagem da Peça ‘O Espectador Condenado à Morte’ de Matéi Visniec. 2022. 1 v. TCC (Graduação em Artes Cênicas) - Universidade Federal de Santa Catarina, Florianópolis, 2022.
Martins, L. PERFORMANCES DA ORALITURA: CORPO, LUGAR DA MEMÓRIA. Letras, (26), 63–81, 2003. https://doi.org/10.5902/2176148511881
VELASCO, María Mercedes. El Nuevo Teatro Colombiano y la colonización cultural. Medellín, 1986.
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