Dropping the masks: a conversation between friends/women-artists

Authors

DOI:

https://doi.org/10.5965/1414573102512024e0502

Keywords:

masks, Lecoq, clown, Sartori

Abstract

This article raises questions about masks, their use and construction, based on a conversation with two friend s who studied together in the 1990s and then took different paths, but remained united by a common affection: masks and their facets. To tell you a little about this journey, we've drawn up a dialogue that shows a little of Patricia dos Santos' history and the masks she came across along the way. Thus, through an interview, we unveil the possibilities of working with masks, of a sensitive look at the other and at oneself, revealing what is most human and poetic in everyday and theatrical masks.

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Author Biographies

Maria de Fátima Souza Moretti, Universidade Federal de Santa Catarina

Pós-doutorado na Universite de Strasbourg – Faculte de Philosophie – França. Doutorado em Literatura pela Universidade Federal de Santa Catarina (UFSC). Mestrado em Literatura pela UFSC. Especialização em Metodologia do Ensino das Técnicas Teatrais pela Universidade do Estado de Santa Catarina (UDESC). Graduação em Licenciatura em Artes Cênicas pela UDESC.

Patrícia dos Santos, Rey Juan Carlos University

Mestrado em teatro pela Universidad Rey Juan Carlos de Madrid. Atriz, clown, diretora, professora de teatro especialista em jogo da máscara e análise de movimentos.

References

COPEAU, J. Apelos. Trad. J. R Falero. São Paulo: Perspectiva, 2013.

FO, D. Manual mínimo do ator. Franca Rame (ORG). 4a ed. São Paulo: Senac, 2011.

LECOQ, J. O corpo poético: uma pedagogia da criação teatral. São Paulo: Senac, 2011.

SACHS, C. M. A metodologia de Jacques Lecoq: estudo conceitual. Florianópolis: Udesc, 2004.

SARTORI, A.; SARTORI, D. A arte mágica. Museu Internacional da Máscara. Curadoria de Carmelo Alberti e Paol Piizzi. Abano Terme Italia. Trad. Maria de Lourdes Rabetti (Beti Rabetti), 2010.

WYLIE, L. Na Escola Lecoq descobri meu próprio clown. Psicologia, Paris, n. 43, p. 17-27, 1973. (Trad. José Ronaldo Faleiro).

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Published

2024-07-24

How to Cite

MORETTI, Maria de Fátima Souza; SANTOS, Patrícia dos. Dropping the masks: a conversation between friends/women-artists. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 2, n. 51, p. 1–25, 2024. DOI: 10.5965/1414573102512024e0502. Disponível em: https://revistas.udesc.br/index.php/urdimento/article/view/25378. Acesso em: 27 jul. 2024.

Issue

Vol. 2 No. 51 (2024): O que fazer com a teoria teatral

Section

Interviews

License

Copyright (c) 2024 Urdimento: Revista de Estudos em Artes Cênicas

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