La práctica escénica y la configuración de la identidad (a propósito del teatro cubano y hondureño)
DOI:
https://doi.org/10.5965/1414573101021998090Abstract
La práctica escénica y la configuración de la identidad (a propósito del teatro cubano y hondureño)Downloads
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Published
2017-05-26
How to Cite
LIMA, Perla Zayas de. La práctica escénica y la configuración de la identidad (a propósito del teatro cubano y hondureño). Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 1, n. 2, p. 090–100, 2017. DOI: 10.5965/1414573101021998090. Disponível em: https://revistas.udesc.br/index.php/urdimento/article/view/1414573101021998090. Acesso em: 22 nov. 2024.
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