La práctica escénica y la configuración de la identidad (a propósito del teatro cubano y hondureño)
DOI:
https://doi.org/10.5965/1414573101021998090Abstract
La práctica escénica y la configuración de la identidad (a propósito del teatro cubano y hondureño)Downloads
Download data is not yet available.
Downloads
Published
2017-05-26
How to Cite
LIMA, Perla Zayas de. La práctica escénica y la configuración de la identidad (a propósito del teatro cubano y hondureño). Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 1, n. 2, p. 090–100, 2017. DOI: 10.5965/1414573101021998090. Disponível em: https://revistas.udesc.br/index.php/urdimento/article/view/1414573101021998090. Acesso em: 18 jul. 2024.
Issue
Section
Continuous flow
License
Copyright Statement
The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
http://www.revistas.udesc.br/index.php/urdimento
This work is licensed under a Creative Commons Attribution 4.0 International License.
