“Transporte aos quadradinhos”: The floor as an montage space in the artworks of Armanda Duarte
DOI:
https://doi.org/10.5965/2175234609172017004Keywords:
Contemporary Art, Montage, Collection, Exhibition, InstallationAbstract
The article approaches a set of five installations of the artist Armanda Duarte. This reflection explores how the artist contrasts the ephemeral character of the works and the frailty of their materials with a geometric or mathematical rigor. The operations of measurement and displacement articulated at these artworks, as well as the the floor as a space for presentation, are issues addressed in this text, highlighting the vulnerability of this place and the adhesion to a reversible and open montage. The article places the belonging of Armanda Duarte´s installations to a private collection in deposit in the Serralves Museum of Contemporary Art, Portugal and their different exhibitions.
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