Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culture

Authors

  • Rodrigo Montandon Born PPGAV - Universidade do Estado de Santa Catarina

DOI:

https://doi.org/10.5965/2175234607142015064

Keywords:

film analysis, post-modern culture, capitalist culture, consumerism, zombies movie

Abstract

This article seeks to analyze com- mercial horror movies, specifically those themed on zombies and the undead, proposing approximations between the images produced by filmmakers and art- ists and the consumer culture produced under capitalism. If the filmmaker, as proposed by Jameson (1995), is not iso- lated from its social and political con- text, could these films be understood as possible images of what Lukács (1920) understands as the bankruptcy of cap- italist social organization? In a culture where death, exhaustion of resources, chaos and decay of organizations are recurring situations, how could these commonplace themed films be reinter- preted as image of capitalism itself?

Downloads

Download data is not yet available.

Author Biography

Rodrigo Montandon Born, PPGAV - Universidade do Estado de Santa Catarina

Mestre e licenciado em Artes Visuais pela Universidade do Estado de Santa Catarina - UDESC

References

GONZALO, Jorge Fernández. Filosofía zombi. Editorial Anagrama: Barcelona, 2011 JAMESON, Fredric. As marcas do visível. Rio de Janeiro: Grall, 1995.

KAYSER, Wolfgang. O Grotesco. São Paulo: Perspectiva, 2003

KURLE, Adriano. Indústria Cultural: Quando a arte encontra a mercadoria. Intuitio: Porto Alegre, n1, vol 6. p. 103-122, 2013.

LAPLATINE. François. Aprender Antropologia. Ed. Brasiliense, SP, 1989.

LUKÁCS, György. Velha e Nova Cultura. 1920. Publicado originalmente em 1920 na revista Kommunismus, nº 43. José Braz. Disponível em: <http://www.marxists.org/ portugues/lukacs/1920/mes/cultura.htm>. Acesso em: 20 jan. 2015.

MÉSZÁROS, ISTVÁN. A Teoria da Alienação em Marx, São Paulo, Boitempo, 2006.

ZIZEK, Slavoj. Primeiro como tragédia, depois como farsa. Boitempo: São Paulo, 2011.

Downloads

Published

2015-12-18

How to Cite

BORN, Rodrigo Montandon. Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culture. Palíndromo, Florianópolis, v. 7, n. 14, p. 064–080, 2015. DOI: 10.5965/2175234607142015064. Disponível em: https://revistas.udesc.br/index.php/palindromo/article/view/6848. Acesso em: 24 nov. 2024.

Issue

Vol. 7 No. 14 (2015): Palíndromo

Section

Artigos Seção aberta

License

Copyright (c) 2015 Rodrigo Montandon Born

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

COPYRIGHT STATEMENT

 

The articles published by the magazine are free to use, intended for academic and non-commercial applications. Copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of Palíndromo Magazine. The author (s) commits to whenever they publish material referring to the article published in Palíndromo mention this publication as follows:

 

This article was originally published by Palíndromo magazine in its volume (place the volume), number (place the number) in the year of (place the year) and can be accessed at: http://www.revistas.udesc.br/index.php/palindromo