Reception: on auditory / sculptural relations in public space

Authors

DOI:

https://doi.org/10.5965/2175234616402024e0004

Keywords:

Sound Sclupture, Public Space, Aural Architecture, Sound Art, Soundscape

Abstract

Public space is a field where the values of democracy manifest themselves in direct proximity to certain anarchic conditions. It is the interrelationship between art and life, where society is revealed and built in shared spaces. What kind of relationship does a reactive sound space generate or question in relation to the listening public? In what context and in what way does the work have a sound memory? What does the place and the interactive proposal symbolize, with pure acoustics transferring time and space to sound? What motivates us to measure and define space is an essential desire that accompanies the impulse to reflect and ask questions. This equation can also be related between sculpture in the expanded field and the analysis of sound, about its particular impact on space.

Downloads

Author Biography

Lukas Kühne, Universidad de la República - UDELAR

Escultor, artista sonoro, curador, docente e investigador. Suas obras atuais têm conteúdos multidisciplinares e tem sido expostas na Europa, Japão, e nas Américas. Foi curador de várias exposições na Alemanha, Brasil, Chile, Estonia, Finlândia, México, Uruguai. Trabalhou internacionalmente como acadêmico em programas de graduação e pós-graduação. Atualmente é Diretor do Instituto de Música, Facultad de Artes, Universidad de la República, Uruguai.

www.eumus.edu.uy/eum/docentes/kuhne-lukas/ 

www.lukaskuehne.com

References

BOEHLEN, Marc. “Plastik”. In: SZEEMANN, Harald (ed.). Beuysnobiscum: Eine kleine Enzyklopädie. Dresden: Verlag der Kunst, 1997.

FÖLLMER, Golo. Klangorganisation im öffentlichen Raum. Klangkunst. Tönende Objekte und klingende Räume. Handbuch der Musik im 20. Jahrhundert 12, Laaber, 1999.

HAMM, Marion. Reclaim the Streets! Protestas globales y espacio local (2002). Disponível em: http://www.republicart.net/disc/hybridresistance/hamm01_es.pdf

HAUSER, Susanne. “Auge, Ohr und die große Stadt”. In: KLEILEIN, Doris; Anne, KOCKELKORN; PAGELS, Gesine; STABENOW, Carsten (eds.). Tuned City. Zwischen Klang und Raumspekuation. Berlin: Kookbooks, 2008.

JOACHIMIDES, Christos M.. Joseph Beuys, Richtkräfte. Berlin: Nationalgalerie, 1977.

KAHN, Douglas. Noise, Water, Meat. Listening through History. Cambridge-Massachusetts: MIT Press, 1999.

LABELLE, Brandon. Acoustic Territories. New York & London: Editorial Continuum, 2010.

MOTTE-HABER, Helga de la. “Der Rückzug des ästhetischen Subjekts“. In: MOTTE-HABER, Helga de la (ed.). Klangkunst. Tönende Objekte und klingende Räume. Handbuch der Musik im 20. Jahrhundert, Band 12. Laaber: Laaber, 1999.

PALLASMAA, Juhani. “Mental and existential ecology”. In: ALTENA, Arie; Sonic Acts (eds.). The Poetics of Space: Sonic Acts XIII, Spatial Explorations in Art, Science, Music & Technology. Amsterdam: Sonic Acts Press, Paradiso, 2010.

PALLASMAA, Juhani. Esencias. Barcelona: Gustavo Gili, 2018.

SALTER, Chris. Alien agency: Experimental encounters with art in the making. Cambridge-Massachusetts: MIT Press, 2023.

Published

2025-03-07

How to Cite

KÜHNE, Lukas. Reception: on auditory / sculptural relations in public space. Palíndromo, Florianópolis, v. 16, n. 40, p. 1–28, 2025. DOI: 10.5965/2175234616402024e0004. Disponível em: https://revistas.udesc.br/index.php/palindromo/article/view/26546. Acesso em: 2 apr. 2025.