Considerations on asemic writing: the case of Mirtha Dermisache
DOI:
https://doi.org/10.5965/2175234613312021008Keywords:
Asemic writing, Writing to see, Artist writingAbstract
The text addresses the writing of Argentine artist Mirtha Dermisache, one of the main devotees of asemic writing. Her texts unfold into a series of different writing systems in which we come across traits that develop from the concepts of repetition, alternation, symmetry and rhythm in a form of writing without a precise semantic content. As they lack words, the reader can only look at them.
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