Here and there:
photographs about the hyperconnected world
DOI:
https://doi.org/10.5965/2175234613292021102Keywords:
Photography, Hyperconnectivity, Isolation, TechnologyAbstract
This essay is based on the presentation of the series of photographs made through video calls “Here e There”. The intention of this poetic and text is to analyze the perception of a virtual mode of existence. The study proposes a critical analysis of the society increasingly dependent on
screens and images and the role of technology in this context.
Downloads
References
AGUIAR, Carolina. A imagem entre a privatização do público e a publicização da
intimidade. Revista Cult, São Paulo - SP, 27 ago. 2020. Disponível em: <https://revistacult.uol.com.br/home/a-imagem-entre-a-privatizacao-do-publico-e-a-
publicizacao-da-intimidade/>. Acesso em: 27 ago. 2020.
COTTON, Charlotte. A fotografia como arte contemporânea. São Paulo: Editora
WMF Martins Fontes, 2010.
DUNKER, Christian. Reinvenção da intimidade: políticas do sofrimento cotidiano.
São Paulo: Ubu editora, 2017. e-book (paginação irregular)
FONTCUBERTA, Joan. Por um manifesto pós-fotográfico (Tradução: Gabriel Pereira).
Studium 36, Campinas - SP, v. 36, p. 117-130, 1 jul. 2014. Disponível em:
studium.iar.unicamp.br/36/7/#_ftn1>. Acesso em: 10 ago. 2020.
LANIER, Jaron. Dez argumentos para você deletar agora suas redes sociais. Rio de
Janeiro: Editora Intrínseca, 2018.
LAING, Olivia. A Cidade Solitária: aventuras na arte de estar sozinho. Rio de Janeiro:
Rocco, 2017.
LAING, Olivia. How to be lonely. The New York Times, [S. l.], 20 mar. 2020. Disponível
em: <https://www.nytimes.com/2020/03/19/opinion/coronavirus-loneliness.html>.
Acesso em: 17 jun. 2020.
PERASOLO, João. Fotógrafo captura imagens de casa para projetar mundo em
quarentena. Folha de São Paulo, São Paulo - SP, 6 jun. 2020. Disponível em:
tablet-para-projetar-mundo-em-quarentena.shtml>. Acesso em: 7 jun. 2020.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Carlos Alberto Donaduzzi
This work is licensed under a Creative Commons Attribution 4.0 International License.
COPYRIGHT STATEMENT
The articles published by the magazine are free to use, intended for academic and non-commercial applications. Copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of Palíndromo Magazine. The author (s) commits to whenever they publish material referring to the article published in Palíndromo mention this publication as follows:
This article was originally published by Palíndromo magazine in its volume (place the volume), number (place the number) in the year of (place the year) and can be accessed at: http://www.revistas.udesc.br/index.php/palindromo