A huge and very bent chair: the designing of objects as dramaturgy

Authors

DOI:

https://doi.org/10.5965/2595034701292024341

Keywords:

dramaturgy, object design, object theater, puppet theater

Abstract

This article indicates the importance of the prior choice of objects and resources for the puppet theater, since they carry meanings that constitute the dramaturgy of the show. To this end, we recount work processes that over the years allowed to deepen and radicalize this perspective, from which the matter and history of the objects come to compose the dramaturgy. All of which will be presented as a theater of exhibition, a theater where showing is an essential action.

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Author Biography

Javier Swedzky, UNSAM

Começa a fazer documentário e teatro de objetos em Córdoba com Graciela Ferrari (do grupo LTL dirigido por María Escudero). Estudar cinema; marionetes na ESNAM, École Nationale Supérieure des Arts de la Marionnette de Charleville-Mézières, e pedagogia teatral na Univ Paris III, França. Trabalha em conjunto com El Periférico de Objetos e com Marie Vayssières (atriz e assistente de Tadeusz Kantor). Escreve, atua, interpreta, dirige obras para crianças e adultos onde desenvolve uma linguagem em que coexistem bonecos, objetos e pessoas. Apresenta seus trabalhos, acompanha projetos e ministra treinamentos na Argentina e no exterior. Pesquisa teatro de objetos e tem artigos publicados em livros e revistas especializadas. Desenvolve o projeto Companhia ao pé da cama no Hospital Garrahan. Atualmente leciona Dramaturgia para Teatro de Objetos na Universidade Nacional das Artes, UNA, Buenos Aires. É codiretor do Bacharelado em Artes Cênicas e coordena o Foco em Teatro de Bonecos e Objetos da Escola de Arte e Patrimônio da Universidade Nacional de San Martín, Buenos Aires.

References

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DANAN, Joseph. Qué es la dramaturgia y otros ensayos. México: Paso de Gato, 2012. p. 86.

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FOUCAULT, Michel. Arqueología del saber. Buenos Aires: Siglo XXI Editores, 2008.

KOPYTOFF, Igor. La biografía cultural de las cosas: La mercantilización como proceso. In: Appadurai Arjun: La vida social de las cosas, perspectiva cultural de las mercancías. México: Editora Grijalbo, 1986, p. 89-125.

LARIOS, Shaday. Escenarios Post Catástrofe. Filosofía Escénica del desastre. In: Premio Internacional de Ensayo Teatral 2010. Bilbao: Artezblay y Paso de Gato, 2011.

LATOUR, Bruno. Reensamblar lo social: una introducción a la teoría del actor-red. Buenos Aires: Ediciones Manantial, 2008.

MATTEOLI, Jean-Luc. L’objet pauvre. Mémoire et quotidien sur les scènes contemporaines françaises. Rennes: Presses Universitaires de Rennes, 2011, p. 43- 48.

OROZA, Ernesto. Rikimbli. Une étude sur la débobéissance technologique et quelques formes de réinvention. Saint – Ètienne: Publications de l’Unversité de Saint-Ètienne, 2008.

SWEDZKY, Javier. Las arrugas del saco. In: Saverio: Revista Cruel de Teatro. Teatro de títeres y Objetos. Año 5 no18. Buenos Aires, Septiembre 2012.

_________________. Escribir para las cosas. Artículo. In: Ana Alvarado (comp.) Cosidad, Carnalidad y Virtualidad. Buenos Aires: UNA – Universidad Nacional de las Artes, 2018, p. 83.

Capa da edição 29 da Revista Mói-Móin, com nome dos autores e desenho de Roland Shön

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Published

2024-05-10

How to Cite

SWEDZKY, Javier. A huge and very bent chair: the designing of objects as dramaturgy. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 29, p. 341–360, 2024. DOI: 10.5965/2595034701292024341. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/24682. Acesso em: 23 nov. 2024.

Issue

Vol. 1 No. 29 (2024): Teatro de Objetos: Memória e História

Section

Dossiê Temático

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