The puppet theater of Tía Norica of Cádiz as cultural heritage: a material and immaterial tradition.

Authors

DOI:

https://doi.org/10.5965/2595034702272022136

Keywords:

marionettes, tangible patrimony, intangible patrimony

Abstract

The Tía Norica puppet theater in Cádiz (Spain) has been part of the city's cultural heritage for two centuries. This theater is characterized by its particular repertoire and by the technique of its shows (marionettes, rod and string puppets), heirs of the real machine. Various companies have maintained this tradition over time, sometimes simultaneously, generating a material heritage that today is partially preserved in the Museum of Cádiz. It also continues to be a living heritage, since a company has existed since 1984 that, with copies of the Museum's puppets, has continued to represent the traditional repertoire to this day. The conservation of this patrimony, tangible and intangible, must be a cultural priority in an increasingly globalized and uniform society.

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Author Biography

Francisco Cornejo, Universidad de Sevilla

Doutor em História da Arte (2000) e professor da Faculdade de Belas Artes da Universidade de Sevilla (1996–2022). Membro da Companhia Aldebarán Teatro de Títeres (1984–2007). Membro do Comitê de Redação da Revista Fantoche. Arte de los titeres desde a sua fundação em 2006; do Conselho Editorial de Móin-Móin (2017). Editor científico da edição espanhola da Enciclopédia Mundial das Artes do Títere WEPA (Unima Internacional).

References

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Published

2023-03-03

How to Cite

CORNEJO, Francisco. The puppet theater of Tía Norica of Cádiz as cultural heritage: a material and immaterial tradition. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 2, n. 27, p. 136–158, 2023. DOI: 10.5965/2595034702272022136. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/23270. Acesso em: 22 dec. 2024.

Issue

Vol. 2 No. 27 (2022): Preservation and conservation of collections in the Puppetry

Section

Preservation and conservation of collections in the Animation Theater

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