More than enough reasons to be poetry. The Experience of the Little Virtual Museum of the Quarantine.

Authors

DOI:

https://doi.org/10.5965/2595034701242021090

Keywords:

object theater, pandemic, Art, documentary theater

Abstract

Abstract: El Pequeño Museo Virtual de la Cuarentena is a web page opened in November 2020 during the pandemic, as a place for experimentation and creation. It was done by the La Compañía Inestable de Estudiantes of the Focalización en Teatro de títeres y Objetos, Universidad Nacional de San Martín, UNSAM, Argentine. The proyect wanted to change the perception and lecture of the intimate space during the lockdown of the sanitary emergency, as a way to make this space became a land to discover histories.

Downloads

Download data is not yet available.

Author Biography

Javier Swedzky, UNA, Buenos Aires; UNSAM

Atua, é autor, diretor e de obras com bonecos, objetos e atuação, também é docente. Trabalhou, entre outros, com El periférico de Objetos, Ana Alvarado e Marie Vayssière. Estudou cinema na UNC, Córdoba, teatro de animação na ESNAM de Charleville Mezières, e pedagogia teatral em Paris III.  Ensina dramaturgia para teatro de objetos na UNA, Buenos Aires e dirige a focalização em Bonecos e objetos da UNSAM.

References

ANIJOVICH Rebeca y CAPPELETTI, Graciela. La evaluación como oportunidad. Buenos Aires: Paidós,2017.

EDELSTEIN, Gloria. Formar y formarse en la enseñanza. Buenos Aires: Paidós,2011.

EL SOLAR. Agencia de detectives de objetos – Teatro de objetos documentales – Disponible en: http://agenciaelsolar.org/agencia/ Consultado en 3 nov. 2020.

LARIOS, Shaday. Escenarios Post- catástrofe. Filosofía escénica del desastre. Bilbao: Artes Blai y Paso de Gato, 2011.

LARIOS, Shaday. Los objetos vivos Escenarios de la materia indócil. DF de México: Paso de Gato, 2018.

MAGGIO, Mariana. Enriquecer la enseñanza. Buenos Aires: Paidós, 2012.

MATTEOLI, Jean-Luc. L’objet pauvre. Mémoire et quotidien sur les scènes contemporaines françaises. Rennes: Presses Universitaires de Rennes, 2011.

PELLEGRINI, Aldo. Teatro de la inestable Realidad. Buenos Aires: El Carro de Tespis, 1964.

Downloads

Published

2021-08-17

How to Cite

SWEDZKY, Javier. More than enough reasons to be poetry. The Experience of the Little Virtual Museum of the Quarantine. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 24, p. 90–109, 2021. DOI: 10.5965/2595034701242021090. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/20611. Acesso em: 23 nov. 2024.

Issue

Vol. 1 No. 24 (2021): Training experiences in cyberspace and creative processes in social isolation

Section

Artigos fora do Dossier Temático

License

Copyright (c) 2021 Móin-Móin Magazine - Studies in the Art of Puppetry

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.

The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:

“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"

Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.

This journal uses Creative Commons Attribution Licence– (CC BY 4.0).