Pourquoi enseigner la mise en scène de la marionnette?

Authors

  • Marthe Adam Université du Québec à Montréal (Canada)

DOI:

https://doi.org/10.5965/2595034702212019116

Abstract

Qu’est-ce qu’une formation à la mise-en-scène peut apporter aux marionnettistes?
Cette conférence tente de délimiter brièvement le territoire des marionnettes en
2019, tout en offrant quelques définitions du metteur-en-scène et quelques fondements sur lesquels il est basé: son rôle, les lois esthétiques et philosophiques du théâtre de marionnettes, la présence du marionnettiste dans la scène, la relation avec le texte, le décor, le sujet, la forme et le geste. Et enfin, au centre de la formation, le développement
d’une oeuvre et de la dramaturgie.

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Author Biography

Marthe Adam, Université du Québec à Montréal (Canada)

Bonequeira e realizadora desde 1978. Professora
associada em teatro de marionetes no Theatre College da
Université du Québec à Montréal. Criadora de vários cursos voltados à aprendizagem do teatro de bonecos. Fundadora e Diretora do Diploma de Estudos Especializados em Teatro de Bonecos (DESS), de 2005 a 2014. Mestre pela École Supérieure de Théâtre, cujo tema é: Comparação entre o jogo de marionetes em formas tradicionais e o jogo de marionetes contemporâneo (1991). Membro da Associação de Marionetes de Quebec (AQM), UNIMA Canadá e do comitê artístico do Festival de Casteliers.

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Published

2019-12-20

How to Cite

ADAM, Marthe. Pourquoi enseigner la mise en scène de la marionnette?. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 2, n. 21, p. 116–126, 2019. DOI: 10.5965/2595034702212019116. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/1059652595034702212019116. Acesso em: 24 nov. 2024.

Issue

Vol. 2 No. 21 (2019): Formação no Teatro de Animação contemporâneo: encenação e processos de criação

Section

Artigos fora do Dossier Temático

License

Copyright (c) 2019 Móin-Móin - Revista de Estudos sobre teatro de Formas Animadas

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