Puppetry and acting: a reflection

Authors

  • Marthe Adam Université du Québec à Montréal (Canada)

DOI:

https://doi.org/10.5965/2595034702142015155

Abstract

This article is reflection on the actor puppeteer's performance: the act of performing and the methods and processes an actor-puppeteer must develop when manipulating in full-view of an audience.


Keywords: Performance. Puppet. Techniques. Artistic approaches.

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Author Biography

Marthe Adam, Université du Québec à Montréal (Canada)

Atriz-bonequeira desde 1978. Diretora artística da
Semaine Mondiale de la Marionnette Festival (1996-2001). Encenadora. Professora na área de Teatro de Formas Animadas Contemporâneo, Université du Québec à Montréal – UQAM, École Supérieure de Théâtre (desde 1984). Fundadora e diretora do curso de graduação
em Teatro de Bonecos Contemporâneo (DESS – Diplôme d’études spécialisées en théâtre de marionnettes contemporain), o primeiro e único curso universitário no campo do Teatro de Animação no Canadá.

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Published

2018-03-09

How to Cite

ADAM, Marthe. Puppetry and acting: a reflection. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 2, n. 14, p. 155–163, 2018. DOI: 10.5965/2595034702142015155. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/1059652595034702142015155. Acesso em: 18 jul. 2024.

Issue

Vol. 2 No. 14 (2015): Filosofias da Formação Profissional no Teatro de Formas Animadas

Section

Artigos fora do Dossier Temático

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