Cuerpo del actor – cuerpo del títere

Authors

  • Marta Lantermo Universidad Nacional de San Martin – UNSAM

DOI:

https://doi.org/10.5965/2595034701172017075

Abstract

A la pregunta de qué cuerpo hablamos cuando hablamos del cuerpo, encuentro
posible respuesta y un modo de reflexionar sobre el cuerpo y el movimiento apoyándome
en trabajos de investigación de autores como la filósofa y crítica de danza Helena
Katz y el profesor y creador de la Técnica Alexander, Frederick Matthias Alexander.
Pensar el cuerpo como red de información, en permanente cambio, intercambiando
con el ambiente; como unidad indivisible físicomental, global, consciente, creativo y
multidimensional, es el soporte y la propuesta para la práctica de movimiento en la
formación de los actores/titiriteros.

Palabras-claves: Conciencia. Conectividad. Integración.

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Author Biography

Marta Lantermo, Universidad Nacional de San Martin – UNSAM

Bailarina, coreógrafa e docente. É professora no Curso de Licenciatura em Artes da Universidad Nacional de San Martin – UNSAM (Buenos Aires – Argentina). Recebeu diversos prêmios e subsídios: Fundación Antorchas, Instituto Nacional del Teatro, Prodanza y  Fondo Nacional de las.  Atualmente estuda a Formação na Técnica Alexander, ETABA. Pesquisa a singularidade do movimento nas pessoas, a consciência e o conhecimento do corpo com destaque para a improvisação no campo da dança.

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Published

2018-03-06

How to Cite

LANTERMO, Marta. Cuerpo del actor – cuerpo del títere. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 17, p. 075–087, 2018. DOI: 10.5965/2595034701172017075. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/1059652595034701172017075. Acesso em: 18 jul. 2024.

Issue

Vol. 1 No. 17 (2017): Corpos no Teatro de Formas Animadas

Section

Artigos fora do Dossier Temático

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