Mudança e permanência no boneco popular

Authors

  • André Carrico Universidade Federal do Rio Grande do Norte – UFRN

DOI:

https://doi.org/10.5965/2595034701152016099

Abstract

O Mamulengo sempre se manteve em estado de contágio com outras linguagens
teatrais e temas. Por meio da análise do trabalho de três companhias: Teatro
de Mamulengo, de Valdeck de Garanhuns, Mamulengo da Folia (Danilo Cavalcanti)
e Grupo Imaginário (Sandro Roberto), este artigo reflete acerca de algumas mudanças no gênero: conteúdo, formação dos mamulengueiros, procedimentos de dramaturgia, de atuação e de encenação.

Palavras-chave: Tradição. Contemporaneidade. Teatro de Formas Animadas. Mamulengo.

Downloads

Download data is not yet available.

Author Biography

André Carrico, Universidade Federal do Rio Grande do Norte – UFRN

Ator e diretor. Mestre e Doutor em Artes pela Universidade Estadual de Campinas, com pós-doutorado em Artes da Cena pela mesma instituição. Professor adjunto do Departamento de Artes e do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Rio Grande do Norte, UFRN.

Downloads

Published

2018-03-06

How to Cite

CARRICO, André. Mudança e permanência no boneco popular. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 15, p. 099–112, 2018. DOI: 10.5965/2595034701152016099. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/10596518091385011520160991059652595034701152016099. Acesso em: 22 dec. 2024.

Issue

Vol. 1 No. 15 (2016): Teatro de Bonecos – patrimônio cultural imaterial

Section

Artigos fora do Dossier Temático

License

The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.

The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:

“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"

Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.

This journal uses Creative Commons Attribution Licence– (CC BY 4.0).