The material for practical learning assessment (mapa) in distance Fashion Design education: pedagogical mediation, authorship, and decolonial perspectives

Authors

DOI:

https://doi.org/10.5965/1982615x19492026106

Keywords:

fashion design, distance education, MAPA

Abstract

This article analyzes the Material de Avaliação Prática da Aprendizagem (MAPA) as a pedagogical device in Fashion Design education within the context of Distance Education (DE), articulating it with Ana Mae Barbosa’s Triangular Approach, pedagogical mediation, and critical and decolonial perspectives. The study is characterized as qualitative research with a descriptive-analytical approach, aimed at understanding MAPA through the analysis of experiences developed in DE Fashion Design courses, focusing on processes of reading, contextualization, and design practice. The results indicate that MAPA goes beyond its traditional evaluative function, becoming an organizer of the formative pathway and fostering student authorship, critical reflection, and the articulation of cultural repertoires. Pedagogical mediation plays a central role in sustaining these processes, particularly in challenging hegemonic references and valuing situated knowledges. The decolonial analysis reveals that MAPA contributes to the denaturalization of knowledge hierarchies in fashion education, broadening the understanding of sustainability and design as culturally, ethically, and politically engaged practices. It is concluded that MAPA constitutes a powerful device for critical education in Fashion Design within Distance Education, reaffirming the centrality of pedagogical mediation in meaningful formative experiences in digital environments.

 

Downloads

Download data is not yet available.

Author Biographies

  • Anderson Machado, Federal University of Santa Maria

    Anderson Machado is a doctorate in Education for the Postgraduate Program in Education at the Federal University of Santa Maria (UFSM) and a professor in Cultural Heritage at the same institution. He has three graduate degrees in the areas of Design and Arts: Product Design (Universidade Franciscana - UFN, 2016), Fashion Design (Unicesumar, 2023) and Degree in Visual Arts (UNINTER - Centro Universitário Internacional, 2025). Possessions in History of Art (MBA, Universidade Estácio de Sá, 2018) and in Teaching in Higher Education (Unicesumar, 2023). Since 2021, he has worked within the scope of Distance Education (EaD), with experience as a tutor in the Célula de Evaluación y Operaciones Pedagógicas de Unicesumar, in Maringá (PR), and, currently, as a teacher mediator in the Animation Design, Graphic Design and Product Design programs. He also worked as a pedagogical tutor at Colegio G10, Unicesumar's face-to-face support center in Santa Maria (RS), providing academic support to distance learning students. As a teacher and researcher, he focuses his interests on the fields of Product Design and Fashion Design, with emphasis on the relationships between art, culture, education and teaching practices in distance design.

  • Erik Felipe Caetano da Silva, Centro Universitário Cesumar

    Holds a Master’s degree in Design from the Universidade Federal do Rio Grande do Sul (UFRGS, 2022–2024), specializing in Design and Technology with a research focus on Artifact Design. He also holds postgraduate qualifications in Ergonomics from the Universidade Estadual de Londrina (UEL, 2020–2022) and in Higher Education Teaching from UniCesumar (2018–2021). He earned a degree in Product Design from PUCPR (2013–2018) and gained international experience through the UNIBRAL program (CAPES/DAAD) by completing an academic exchange at the Bergische Universität Wuppertal in Germany. He currently works as an Academic Planning Professor at EAD UniCesumar, managing programs in Product Design, Interior Design, Graphic Design, Fashion Design, and Animation. His research interests lie in the fields of Ergonomics, Emotional Design, Design for Sustainable Behavior, and Design Education. He has published work in journals and national conference proceedings, with notable studies on affective design, sustainability, and physical ergonomics applied to professional practice.

  • Floriza Taira Otto, Centro Universitário Cesumar

    Facilitator for the Fashion Design course. Holds a Master’s degree in Organizational Knowledge Management (2017). She earned undergraduate degrees in Fashion from the Centro de Enseñanza Superior de Maringá (2015) and in Administration from the Faculdade Integrado de Campo Mourão (2007). She is currently pursuing studies in Creativity Sciences, focusing on innovative and interdisciplinary processes applied to education, fashion, and sustainability. Her work centers primarily on fashion, education, competencies, knowledge, and knowledge management, with an emphasis on sustainable practices and the appreciation of craftsmanship as a form of cultural and social expression.

  • Larissa Siqueira Camargo, Centro Universitário Cesumar

    She holds a PhD in Design from Anhembi Morumbi University, with a research focus on design education. She earned a Master’s degree in Urban Engineering from the State University of Maringá (UEM) and holds specializations in Art Education (Faculdade Cruzeiro do Oeste), as well as in Higher Education Teaching, Educational Management, and Distance Education (EAD) with New Educational Technologies (UniCesumar). She holds degrees in Interior Design and Fashion Design from UniCesumar. She is a member of the INEP evaluator pool, participating in institutional and academic program assessments. She served on the ENADE Area Advisory Committees for the Interior Design Technology program during the 2015 (the first in the field) and 2022 cycles. She has been coordinating design programs since 2014 and was responsible for designing and implementing the first distance education (EAD) programs in Interior Design and Product Design in Brazil.

References

BARBOSA, Ana Mae. A imagem no ensino da arte. São Paulo: Perspectiva, 2010.

BARDIN, Laurence. Análise de conteúdo. São Paulo: Edições 70, 2016.

BARTHES, Roland. Elementos de semiologia. São Paulo: Cultrix, 2006.

BUCK INSTITUTE FOR EDUCATION. Aprendizagem baseada em projetos: guia para professores de ensino fundamental e médio. 2. ed. Porto Alegre: Artmed, 2008.

CALVI, Gabriel Coutinho; VALLIM Cibelle Akemi; BARBOSA, Ana Mae. (2024). Aprendizagem prática em Design de Moda EaD e a formação profissional do egresso . EmRede - Revista De Educação a Distância, 11. https://doi.org/10.53628/emrede.v11i.1041

ESCOBAR, Arturo. Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds. Durham: Duke University Press, 2018.

GOFFMAN, Erving. A representação do eu na vida cotidiana. Petrópolis: Vozes, 2014.

GONZALEZ, Lélia. Por um feminismo afro-latino-americano. Rio de Janeiro: Zahar, 2020.

GWILT, Alison. Moda sustentável. São Paulo: GG Brasil, 2015.

HALL, Stuart. A identidade cultural na pós-modernidade. 11. ed. Rio de Janeiro: DP&A, 2006.

INEP. Resumo técnico do Censo da Educação Superior 2023. Brasília: Instituto Nacional de Estudos e Pesquisas Educacionais Anísio Teixeira, 2024. Disponível em: https://www.gov.br/inep/pt-br/centrais-de-conteudo/acervo-linha-editorial/publicacoes-institucionais/estatisticas-e-indicadores-educacionais/resumo-tecnico-do-censo-da-educacao-superior-2023. Acesso em: 27 nov. 2025.

KRENAK, Ailton. Ideias para adiar o fim do mundo. São Paulo: Companhia das Letras, 2019.

LUCKESI, Cipriano Carlos. Avaliação da aprendizagem escolar. São Paulo: Cortez, 2011.

LUNDÉN, Elizabeth Castaldo. Fashion on the Red Carpet: A History of the Oscars, Fashion and Globalization. Londres: Bloomsbury, 2021.

MALLMANN, Elena Maria. Introdução à educação a distância. 1. ed. Santa Maria, RS: UFSM, CTE, 2022. 1 e-book. Disponível em: https://repositorio.ufsm.br/bitstream/handle/1/26216/MD-Introducao-EAD.pdf?sequence=1&isAllowed=y. Acesso em: 20 dez. 2025.

MANZINI, Ezio. Design, quando todos fazem design: uma introdução ao design para a inovação social. Tradução de Luzia Araújo. São Leopoldo: Ed. Unisinos, 2017.

MEMMI, Albert. Retrato do colonizado precedido pelo retrato do colonizador. Rio de Janeiro: Paz e Terra, 1977.

MICHETTI, Miqueli. Moda brasileira e mundialização. São Paulo: Annablume/FAPESP, 2015.

PRECIOSA, Rosane. Rumores discretos da subjetividade: sujeito e escritura em processo. Porto Alegre: Editora UFRGS, 2010.

RUFINO, Luiz. Pedagogias da encruzilhada. Rio de Janeiro: Mórula, 2019.

SALCEDO, Elena. Moda ética para um futuro sustentável. São Paulo: GG Brasil, 2014.

SANTOS, Antônio Bispo dos. Colonização, quilombos: modos e significados. Brasília: Claridade, 2015.

UNICESUMAR. CENTRO UNIVERSITÁRIO DE MARINGÁ. Núcleo de Educação a Distância. Ciclo de Aprendizagem: estratégias para um método pedagógico inovador. Maringá: UniCesumar, 2021.

VÁSQUEZ ASTUDILLO, Mario. Mediação pedagógica na educação a distância, híbrida e presencial. Santa Maria: FACOS-UFSM, 2025.

WILLIAM, Rodney. Apropriação cultural. São Paulo: Pólen, 2019.

YIN, Robert K. Estudo de caso: planejamento e métodos. 5. ed. Porto Alegre: Bookman, 2015.

Published

2026-08-26

How to Cite

The material for practical learning assessment (mapa) in distance Fashion Design education: pedagogical mediation, authorship, and decolonial perspectives. ModaPalavra e-periódico, v. 19, n. 49, p. 106–136, 26 Aug.2026.