Color and shadow: lighting and training in the work of a lighting designer between Minas Gerais and São Paulo. Interview with Nezito Reis

Authors

DOI:

https://doi.org/10.5965/27644669040820240801%20

Keywords:

Stage light, Teaching stage light, History of stage light, Nezito Pereira dos Reis

Abstract

In the interview that is now being published, which took place in a pleasant meeting with Nezito Reis at his home in Barbacena, surrounded by memories, boxes of photos, texts and materials used over the years in his stage lighting classes, we tried, by listening to his memories, to glimpse the threads and traces of possible histories of Brazilian stage lighting in the capital of São Paulo. How did a man with a passion for the theatre, who moved from the interior of Minas Gerais to the capital of São Paulo because he wanted to be an actor, become an important lighting designer and, above all, the person responsible for training many of the country's stage lighting professionals? This trajectory, which you can follow in the lines published below, is the inauguration of a project, with the same simplicity and affection that the master transmits to us, to collect the memories of our country's backstage professionals in the search for another history of our theatre. This is the basic proposition of the Centre for the Study of Techniques and Crafts of the Stage of the Research Group in History, Politics and the Stage (CNPq) of the Federal University of São João del-Rei - NETOC/GPHPC/UFSJ.

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Author Biographies

Berilo Luigi Deiró Nosella, Universidade Federal de São João del Rei (UFSJ)

Professor of the Undergraduate Theatre Course and the Postgraduate Programme in Performing Arts at the Department of Performing Arts of the Federal University of São João del Rei. PhD in Performing Arts, in the line of History and Historiography of Theatre, from the Postgraduate Programme in Performing Arts at the Federal University of the State of Rio de Janeiro. Leader of the Research Group on History, Politics and the Stage (CNPq) and Coordinator of the Centre for the Study of Techniques and Crafts of the Stage/UFSJ. CNPq Research Productivity Fellow.

Carina Maria Guimarães Moreira, UFSJ

Vice coordenadora da implantação do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal de São João del Rei - UFSJ. Professora de Direção, Iluminação Cênica e Elementos Plásticos da Cena no Programa de Pós Graduação em Artes Cênicas e no Curso de Graduação em Teatro da Universidade Federal de São João Del Rei - UFSJ. Pós-Doutorado em andamento no Programa de Pós-Graduação em Artes da Cena da UNICAMP. Doutora em Teatro pelo Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Estado do Rio de Janeiro - UNIRIO. Mestre em Teatro pelo Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Estado do Rio de Janeiro - UNIRIO (2009). Bacharel em Direção Teatral com Graduação em Artes Cênicas na Universidade Federal de Ouro Preto - UFOP (2006). Tem experiência na área de Artes, com ênfase em Direção Teatral. Atua fundamentalmente nos seguintes temas: direção teatral, teatro e política; iluminação cênica, análise da cena teatral e cultura afrodescendente.

Published

2024-12-28

How to Cite

NOSELLA, Berilo Luigi Deiró; MOREIRA, Carina Maria Guimarães. Color and shadow: lighting and training in the work of a lighting designer between Minas Gerais and São Paulo. Interview with Nezito Reis. A Luz em Cena: Revista de Pedagogias e Poéticas Cenográficas, Florianópolis, v. 4, n. 08, p. 1–19, 2024. DOI: 10.5965/27644669040820240801 . Disponível em: https://revistas.udesc.br/index.php/aluzemcena/article/view/24411. Acesso em: 15 jan. 2025.