Rafael BQueer: the “neon color” as a place of passage, the power that hacks chaos

Authors

DOI:

https://doi.org/10.5965/27644669030520230801

Keywords:

interview, Rafael BQuee, performance, drag art, garments, LGBTQIAP, LGBT

Abstract

A multiartist who represents the diversity of the lgbtqiap+ cultural scene, Rafael BQueer, born in Belém, Pará, is an important name for contemporary Brazilian thinking on Drag art and a form of performance that uses provocative and destabilizers costumes. Having participated in exhibitions in institutional spaces such as MASP and MAR and held artistic residencies in New York and Salvador, BQueer transits, with great plasticity, between the visual arts, cinema, photography, carnival and other artistic languages, raising debates that revolve around concepts such as gender, sexuality, intersectionality, decoloniality, afrofuturism. In an interview for the magazine A Luz em Cena, BQueer reflects on his artistic trajectory, his dissident and disruptive political body, his experience as a “bicha preta amazônida”, in the context of today, emphasizing, for such, the construction of garments that express the “non-uniformization” of thoughts and bodily practices.

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Author Biography

Leonardo Augusto Bora, Federal University of Rio de Janeiro

Professor adjunto de Fundamentos da Cultura Literária Brasileira do departamento de Ciência da Literatura da Universidade Federal do Rio de Janeiro (UFRJ), doutor e mestre em Teoria Literária pela mesma instituição. Desenvolve pesquisas acerca dos conceitos de utopia, antropofagia, carnavalização, corpo e direitos humanos. Como carnavalesco, assinou, juntamente com Gabriel Haddad, os projetos do GRES Acadêmicos do Grande Rio de 2020, 2022 e 2023.

Published

2023-06-30

How to Cite

BORA, Leonardo Augusto. Rafael BQueer: the “neon color” as a place of passage, the power that hacks chaos. A Luz em Cena: Revista de Pedagogias e Poéticas Cenográficas, Florianópolis, v. 3, n. 5, p. 1–22, 2023. DOI: 10.5965/27644669030520230801. Disponível em: https://revistas.udesc.br/index.php/aluzemcena/article/view/24016. Acesso em: 22 dec. 2024.