A exposição da prática como pesquisa enquanto sistemas experimentais

Autores

DOI:

https://doi.org/10.5965/2175234611232019013

Resumo

Michael Schwab

Editor do Journal for Artistic Research (JAR)

Tradução Osmar Yang e Yara Guasque

Artigo publicado originalmente em Inglês (SCHWAB, Michael. “The Exposition of Practice as Research as Experimental Systems”, 2014, pp. 31-40) como capítulo do livro CRISPIN, Darla; GILMORE, Bob. (Eds.). Artistic Experimentation in Music. An Anthology. Leuven: Leuven University Press, 2014.

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Biografia do Autor

Michael Schwab, Universidade do Estado de Santa Catarina

Artista e pesquisador artístico residente da cidade de Londres que investiga o uso pós conceitual da tecnologia em várias mídias incluindo fotografia, desenho, gravura e instalações artísticas. Mestre em filosofia pela Universidade de Hamburg, doutor em fotografia pelo Royal College of Art de Londres. Seu foco no doutoramento foi o pós conceitual e a pós fotografia e metodologia de pesquisa artística. Fundador e Editor Chefe do Journal for Artistic Research, JAR, co-editor do Intellectual Birdhouse. Prática Artística como Pesquisa. (2012). Co-editor da The Exposition of Artistic Research: Publishing Art in Academia (2013). Editor do livro Experimental Systems. Future Knowledge of Artistic Research (2015). Editor de Transpositions. Aesthetico-Epistemic Operators in Artistic Research. (2018). Seu livro mais recente, Futures of the Contemporary. Contemporaneity, Untimeliness, and Artistic Research, co-editado conjuntamente com Paulo de Assis foi publicado em 2019.  Focando a experimentação e a exposição da prática enquanto pesquisa, Schwab desenvolveu uma aproximação conceitual que faz um elo entre a liberdade artística e a crítica acadêmica em favor do que é conhecido como sendo a 'virada prática na teoria contemporânea', 'practice turn in contemporary theory'.

Referências

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Publicado

2019-01-11

Como Citar

SCHWAB, Michael. A exposição da prática como pesquisa enquanto sistemas experimentais. Palíndromo, Florianópolis, v. 11, n. 23, p. 13–25, 2019. DOI: 10.5965/2175234611232019013. Disponível em: https://revistas.udesc.br/index.php/palindromo/article/view/14592. Acesso em: 21 dez. 2024.

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