Listening as an enunciative strategy

Authors

DOI:

https://doi.org/10.5965/2525530409012024e0207

Keywords:

sound studies, listening, power relations, discourse analysis

Abstract

This article proposes a critical analy-sis on the premises that embodies recent materialist ontological theories from the sound studies field. We selected the texts of Christoph Cox and Salomé Voegelin as objects of study. First, we presente some authors who investigate the sound and the listening through historical-social ele-ments. Subsequently, we analyzed the the-oretical discourses representative of Cox and Voegelin’s approaches. We compared the authors’ statements to an illustration of pieces and sound characteristics. In order to locate the limits and the problems of the approaches, we seek to understand them through foucauldian notions of discursive practice and enunciative modality.

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Author Biography

Daniel Gouvea Pizaia, Londrina State University

Professor colaborador do curso de licenciatura em música da Universidade Estadual de Londrina. Doutorando em criação sonora pela UFPR e mestre em musicologia pela UFPB. Atua como pesquisador no grupo Arte, Informação e Sentido (UEL) e como estudante no Núcleo Música Nova (UFPR). Desenvolve análise crítica de discurso sobre o papel do ouvinte e o lugar da escuta no debate acadêmico voltado à arte sonora e em diferentes abordagens dos estudos do som.

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Published

2024-09-19

How to Cite

PIZAIA, Daniel Gouvea. Listening as an enunciative strategy. Orfeu, Florianópolis, v. 9, n. 1, p. e0207, 2024. DOI: 10.5965/2525530409012024e0207. Disponível em: https://revistas.udesc.br/index.php/orfeu/article/view/25379. Acesso em: 28 oct. 2024.

Issue

Vol. 9 No. 1 (2024): Dossiê Musicistas como Trabalhadores(as) e a Música como Trabalho no Brasil

Section

Articles

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Copyright (c) 2024 Daniel Gouvea Pizaia

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