Pandemic experiences: programming and dissemination challenges and strategies in the context of experimental music in Portugal (2020-2021)

Authors

DOI:

https://doi.org/10.5965/2525530408022023e0201

Keywords:

Covid-19 pandemic, portuguese experimental music, programming musical events

Abstract

This study aimed to investigate the experience of the Covid-19 pandemic, from March 2020 to early 2021, by experimental music artists, and festival and concert venue curators in Portugal, and their adaptation processes during this period. For this purpose, interviews were undertaken with 8 artists and/or programming directors linked to the experimental music context, and the resulting data was analysed to identify relevant topics and transversal themes. Despite the existence of often-insoluble obstacles to artistic practice, all venues and events maintained a significant level of activity, emphasizing the use of digital means of communication and dissemination as the most common alternative. However, some communication problems with the public resulting from these options were also mentioned, as well as the negative impact both on the identity of these entities and on the artists’ professional sustainability.

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Author Biographies

Luís Bittencourt, University of Aveiro

PhD em Performance Musical e Mestre em Performance Musical pela Universidade de Aveiro, Portugal, e Bacharel em Performance de Percussão (Universidade Federal de Santa Maria, Brasil)

Helena Marinho, University of Aveiro

Professora Associada no Departamento de Comunicação e Arte da Universidade de Aveiro e investigadora integrada do Instituto de Etnomusicologia - Centro de Estudos de Música e Dança (INET-md).

Alfonso Benetti, University of Aveiro

Pianista e pesquisador em Música (PhD) pela Universidade de Aveiro (Portugal) onde foi membro do Instituto de Etnomusi-cologia, Música e Dança (INET-MD) e da Fundação para a Ciência e Tecnologia

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Published

2023-06-17

How to Cite

BITTENCOURT, Luís; MARINHO, Helena; BENETTI, Alfonso. Pandemic experiences: programming and dissemination challenges and strategies in the context of experimental music in Portugal (2020-2021). Orfeu, Florianópolis, v. 8, n. 2, p. e0201, 2023. DOI: 10.5965/2525530408022023e0201. Disponível em: https://revistas.udesc.br/index.php/orfeu/article/view/22617. Acesso em: 23 nov. 2024.